{"title":"Chapter 10. A lingua de Martin Codax, entre a tradición e o xénero","authors":"Manuel Ferreiro","doi":"10.1075/z.218.10fer","DOIUrl":null,"url":null,"abstract":"This chapter studies the language used by Martin Codax in his seven cantigas from two perspectives. 1) Codax’s linguistic expression within the cantiga de amigo genre, with phono-morphological traces that are specific to this genre, namely the presence of forms preserving intervocalic Latin -l-, -n-, and use of the verb form treides, among others. 2) The use and presence of words that single out the literary production of this jongleur from the other troubadours, either because they are forms that belong almost exclusively to the poetic register and the amigo genre (senneira, ergas, velida), or because they are unusual words in medieval texts (mirar).","PeriodicalId":273793,"journal":{"name":"The Vindel Parchment and Martin Codax / O Pergamiño Vindel e Martin Codax","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Vindel Parchment and Martin Codax / O Pergamiño Vindel e Martin Codax","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1075/z.218.10fer","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本章从两个角度研究马丁·科达克斯在他的七首诗中所使用的语言。1) Codax在camaga de amigo体裁中的语言表达,具有该体裁特有的音素形态痕迹,即保留中间拉丁语-l-, -n-形式的存在,以及动词形式treides的使用等。2)这些词的使用和出现使这个jongleur的文学作品从其他游吟诗人中脱颖而出,要么是因为这些词的形式几乎完全属于诗歌和朋友类型(senneira, ergas, velida),要么是因为它们是中世纪文本中不常见的词(mirar)。
Chapter 10. A lingua de Martin Codax, entre a tradición e o xénero
This chapter studies the language used by Martin Codax in his seven cantigas from two perspectives. 1) Codax’s linguistic expression within the cantiga de amigo genre, with phono-morphological traces that are specific to this genre, namely the presence of forms preserving intervocalic Latin -l-, -n-, and use of the verb form treides, among others. 2) The use and presence of words that single out the literary production of this jongleur from the other troubadours, either because they are forms that belong almost exclusively to the poetic register and the amigo genre (senneira, ergas, velida), or because they are unusual words in medieval texts (mirar).