Jiří Karásek泽·利沃维奇小说中的城市形象

A. Kolianov
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引用次数: 0

摘要

在捷克诗人兼作家Jiři Karasek(1871-1951)的散文中,“欧洲之角”是一个充满怀旧和幽闭恐惧症的神秘空间,迫使人物经历了历史的遗传参与。例如,这就是小说《哥特灵魂》(捷克语:gotick Duše)中的主人公的感受。小说把世纪之交的布拉格描写成一个过去比现在更真实的地方。《三个魔法师的小说》三部曲(捷克语:Romány tří mágů)的灵感来自欧洲“魔法师”的传说,将维也纳、威尼斯和布拉格作为影响人物行为的魔法或堕落之地。卡拉塞克运用特殊的特征和技术创造了具有颓废美学的城市形象。其中我们可以突出夜晚的气氛,有意强调现实的人为性,用衰败或衰败的符号来描述场景。这样一个颓废人物的主观视角,可以从一个独特的视角打开一个城市,使人们有可能分辨出以前看不见的细节。卡拉塞克作品中的布拉格形象是双重的、矛盾的。一方面,它是美学上人造的颓废的布拉格,另一方面,它是神秘的、神奇的布拉格。卡拉塞克的威尼斯也是一个只有过去才有生命的颓废城市。在卡拉塞克散文的帮助下,人们可以看到颓废和“哥特式”小说的棱镜——这在捷克文学流派中是相当罕见和原创的。他的作品也让我们有机会体验战前欧洲失落的氛围。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Image of the City in the Novels of Jiří Karásek ze Lvovic
Fin-de-Siècle Europe appears in the prose of the Czech poet and writer Jiři Karasek from Lvovice (1871–1951) as a mystical space full of nostalgia and claustrophobia, which force the characters to experience the hereditary involvement of history. This is, for example, how the hero of the novel “Gothic Soul” (Czech: Gotická Duše) feels. The novel shows Prague at the turn of the century as a place where the past is more real than the present. The trilogy “Novels of the Three Magicians” (Czech: Romány tří mágů), inspired by the legends about European “sorcerers”, uses Vienna, Venice, and Prague as magic or decadent territories that affect the characters’ behaviour. Karasek creates urban images with decadent aesthetics by applying special features and techniques. Among them we can highlight the night atmosphere, intentional emphasis on the artificiality of the reality, and the description of the scene with the symbols of decline or decay. Such a subjective view from the eyes of a decadent character can open up a city from a unique perspective, making it possible to distinguish previously unseen details. The image of Prague in Karasek’s works is dual and ambivalent. On the one hand, it is an aesthetically artifi cial decadent Prague and on the other, a mystical, magical Prague. Venice by Karasek is also a decadent city where only the past is alive. With help of Karasek’s prose one can obtain the prism of decadent and “gothic” novels — rather rare and original for Czech literature genres. His works also give us the opportunity to experience the lost atmosphere of pre-war Europe.
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