{"title":"《纽约时报》的一部分，无论是个人还是职业","authors":"Andy Propst","doi":"10.1093/oso/9780190630935.003.0015","DOIUrl":null,"url":null,"abstract":"During the early and middle part of the 1960s Betty Comden and Adolph Green were no longer splitting their time between working on shows for Broadway and movies in Hollywood, and as a result they were able to dedicate more time to their personal lives. And while they might have been spending time with the elite of New York’s society, they were not unaware of the issues facing the country. This informed a pair of stand-alone songs they penned with Jule Styne and Leonard Bernstein as well as their next musical, Hallelujah, Baby! Featuring a book by Arthur Laurents, the show chronicled the African-American experience during the first six decades of the twentieth century. Leslie Uggams was the star of what was ultimately an unconventional tuner that had music by Jule Styne and went on to win a Tony Award as best musical","PeriodicalId":446150,"journal":{"name":"They Made Us Happy","volume":"150 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Part of the Times, Personally and Professionally\",\"authors\":\"Andy Propst\",\"doi\":\"10.1093/oso/9780190630935.003.0015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the early and middle part of the 1960s Betty Comden and Adolph Green were no longer splitting their time between working on shows for Broadway and movies in Hollywood, and as a result they were able to dedicate more time to their personal lives. And while they might have been spending time with the elite of New York’s society, they were not unaware of the issues facing the country. This informed a pair of stand-alone songs they penned with Jule Styne and Leonard Bernstein as well as their next musical, Hallelujah, Baby! Featuring a book by Arthur Laurents, the show chronicled the African-American experience during the first six decades of the twentieth century. Leslie Uggams was the star of what was ultimately an unconventional tuner that had music by Jule Styne and went on to win a Tony Award as best musical\",\"PeriodicalId\":446150,\"journal\":{\"name\":\"They Made Us Happy\",\"volume\":\"150 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"They Made Us Happy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190630935.003.0015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"They Made Us Happy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190630935.003.0015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
During the early and middle part of the 1960s Betty Comden and Adolph Green were no longer splitting their time between working on shows for Broadway and movies in Hollywood, and as a result they were able to dedicate more time to their personal lives. And while they might have been spending time with the elite of New York’s society, they were not unaware of the issues facing the country. This informed a pair of stand-alone songs they penned with Jule Styne and Leonard Bernstein as well as their next musical, Hallelujah, Baby! Featuring a book by Arthur Laurents, the show chronicled the African-American experience during the first six decades of the twentieth century. Leslie Uggams was the star of what was ultimately an unconventional tuner that had music by Jule Styne and went on to win a Tony Award as best musical
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