美国历史学家乔治·莫斯作品中的法西斯主义(1918-1999)

I. Sergeenkova
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引用次数: 0

摘要

作者考察了美国著名历史学家G. Mosse著作中对法西斯主义的评价。莫斯是最早将法西斯主义视为一种泛欧洲现象的人之一,他强调各种法西斯运动的多样性和相似性。在国家背景下应该考虑的共同特征中,他挑出:革命作为“精神革命”的概念,民族主义或种族主义的神秘主义,对“第三条道路”的探索,革命的活力和“驯服革命”的问题,新人的神话,资产阶级道德和体面与法西斯主义伦理的融合,以勇敢的人的战斗和传统主义模式为代表。G. Mosse是第一个转向人类学来重建生活在19世纪末和20世纪初的人们的信仰体系,以解释第三帝国如何成为政治现实的人之一。G. Mosse非常关注意识形态因素,考虑到法西斯主义的先决条件,当时法西斯意识形态被历史学家视为完全无稽之谈。G. Mosse将法西斯主义定性为一种世俗宗教,并转而研究法西斯主义的“礼仪元素”、象征和神话,以此来理解现代群众运动是如何获得大众支持的。他的大量出版物促成了法西斯研究范式的转变。从这个意义上说,他预见了后来的作家,如著名的法西斯历史学家佩恩、格里芬和詹泰尔的文化取向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FASCISM IN THE WORKS OF THE AMERICAN HISTORIAN GEORGE MOSSE (1918-1999)
The author examines the assessments of fascism presented in the works of the famous American historian G. Mosse. G. Mosse was one of the first to consider fascism as a pan-European phenomenon, emphasizing both the diversity and similarity of various fascist movements. Among the common features that should be considered in national contexts, he singled out: the concept of revolution as a "spiritual revolution", nationalist or racist mysticism, the search for a "third way", revolutionary dynamism and the problem of "taming the revolution", the myth of the new man, the fusion of bourgeois morality and respectability with the ethics of fascism, represented by militant and traditionalist models of courageous men. G. Mosse was one of the first to turn to anthropology to reconstruct the belief system of people who lived in the late XIX and early XX centuries to explain how the Third Reich could become a political reality. G. Mosse pays great attention to the ideological factor, considering the prerequisites of fascism, at a time when the fascist ideology was perceived by historians as complete nonsense. G. Mosse characterizes fascism as a secular religion and turns to the study of the "liturgical elements" of fascism, symbols and myths as means to understand how modern mass movements received popular support. His numerous publications contributed to a paradigm shift in fascist studies. In this sense, he anticipated the cultural orientation of later authors, such famous historians of fascism as S. Payne, R. Griffin and E. Gentile.
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