{"title":"肯尼斯·伯克的形式理论:修辞、艺术与文化分析","authors":"Omar Swartz","doi":"10.1080/10417949609373027","DOIUrl":null,"url":null,"abstract":"In this essay I argue that Kenneth Burke's early persona as a social/cultural critic can be seen as fundamental to understanding his later, more theoretical discussion of language. In defending this position, I demonstrate how Burke's rhetorical theory is enriched by reading it as an extension of his early socialist and cultural concerns. By recognizing the rhetorical qualities of artistic expression, Burke historicizes art, making it easier for rhetorical theorists to engage in cultural analysis.","PeriodicalId":212800,"journal":{"name":"Southern Journal of Communication","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1996-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"6","resultStr":"{\"title\":\"Kenneth Burke's theory of form: Rhetoric, art, and cultural analysis\",\"authors\":\"Omar Swartz\",\"doi\":\"10.1080/10417949609373027\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this essay I argue that Kenneth Burke's early persona as a social/cultural critic can be seen as fundamental to understanding his later, more theoretical discussion of language. In defending this position, I demonstrate how Burke's rhetorical theory is enriched by reading it as an extension of his early socialist and cultural concerns. By recognizing the rhetorical qualities of artistic expression, Burke historicizes art, making it easier for rhetorical theorists to engage in cultural analysis.\",\"PeriodicalId\":212800,\"journal\":{\"name\":\"Southern Journal of Communication\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1996-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Southern Journal of Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10417949609373027\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southern Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10417949609373027","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Kenneth Burke's theory of form: Rhetoric, art, and cultural analysis
In this essay I argue that Kenneth Burke's early persona as a social/cultural critic can be seen as fundamental to understanding his later, more theoretical discussion of language. In defending this position, I demonstrate how Burke's rhetorical theory is enriched by reading it as an extension of his early socialist and cultural concerns. By recognizing the rhetorical qualities of artistic expression, Burke historicizes art, making it easier for rhetorical theorists to engage in cultural analysis.