古印度雕塑中的羊头神

Agnieszka Staszczyk
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摘要

从保存最古老的纪念碑开始,在宗教背景下使用动物的描绘在印度艺术中相当普遍。根据记录,可以区分出两个主要群体:1。(1)动物全像(按自然规律复制);混合表示,其中部分图像是人类和部分动物。在后一种情况下,最常见的动物元素是头或脸。一个例子是瓦拉哈——毗瑟奴的化身之一,毫无疑问是印度最普遍的混合形象(图1)。然而,在这个分析中,我想把重点放在不太受欢迎的无花果上
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Goat-headed deities in ancient Indian sculpture
Starting with the oldest preserved monuments, depictions of animals used in a religious context are quite common in Indian art. For the record, two such main groups can be distinguished: 1. whole animal figures (copied in accordance with nature);1) 2. hybrid representations in which part of the image is human and part animal. Most often, in the latter case, the animal element is the head or face. An example is Varaha – one of the incarnations of Vishnu, undoubtedly the most widespread hybrid image in India (Fig. 1). In this analysis,2) however, I would like to focus on less popular fig-
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