大众文化的战略合理性

Y. Borysenko
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摘要

本文从霍克海默和阿多诺的文化工业理论和延续法兰克福学派研究的哈贝马斯的交往行为理论两方面论述了大众文化的作用。众所周知,哈贝马斯论述了两种理性:交际理性和结构理性。生活世界和系统与它们相对应。通常,文化与生活世界相对应,因为它有助于人们的社会化。它也是一个交流和寻找新意义的地方。然而,一个大众文化的地方是非常有争议的。特别是,有必要区分流行和大众文化,因为这些定义长期以来一直可以互换使用。流行文化仍然是一个有意义的领域。此外,它还可能引发抗议。从这个角度来看,它显然是生活世界的一部分。但大众文化作为一种“文化产业”并非如此明确。它的特点和在人们生活中的作用值得更详细地考虑。首先,一个人不能不注意群众。早在上个世纪,H.阿伦特就把他们描述为一群原子化的、孤立的人,他们没有任何共同的思想把他们团结起来。毕竟,即使在现代世界,也有可能看到他们没有也不想去寻找任何思想或意义。大众是大众文化的直接消费者。消费主义是现代性的典型特征。因此,大众文化与市场是密不可分的。一方面,它销售娱乐,另一方面,它产生新的消费者,因为它与广告有关。同样,大众文化也与鼓动和宣传联系在一起。因此,谈论它与政治的联系是可能的。市场和政治与制度相对应,以战略理性为指导。这一事实使我们有理由谈论大众文化作为一种战略工具。这种没有意义的文化导致了社会危机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Strategic rationality of mass culture
The article deals with a role of mass culture in term of the theory of the culture industry by M. Horkheimer and T. Adorno and the theory of communicative action by J. Habermas, who continues research of the Frankfurt school. It is known that Habermas says about two types of rationality — communicative and structural. The lifeworld and the system correspond them. Usually, culture correspond to lifeworld because it helps people`s socialization. Also it is a place for communication and finding new meanings. However, a place of mass culture is very controver- sial. In particular, it is necessary to distinguish between popular and mass culture, because these definitions have been used as interchangeable for a long time. Popular culture is still an area of meanings. Moreover, it has the potential for protest. From this point of view, it is clearly part of the life world. But mass culture as a «cultural industry» is not so unambiguous. It is worth considering its characteristics and role in people’s life more detail. Above all, one cannot help paying attention to masses. Already in the last century, H. Arendt characterized them as an atomized and isolated group of people, and they are not united by any common ideas. After all, even in the modern world it is possible to see that they do not have and do not want to search for any ideas or meanings. Masses are a direct consumers of mass culture. It is consumerism that the characteristic feature of modernity. Therefore, mass culture is inseparably connected with the market. On the one hand, it sells entertainments, and on the other hand, it generates new consumers, because it is related to advertising. In the same way, mass culture is connected with agitation and propaganda. Thus, it is possible to speak about its connection with politics. The market and politics correspond to the system and are guided by strategic rationality. This fact gives reason to talk about mass culture as a strategic tool. Such culture with no meanings leads to a crisis in society.
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