对信仰和归属的渴望:北美文化背景下的追求者及其受众

Caroline Rosenthal
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引用次数: 0

摘要

这一章讨论了两个种族假冒的案例,一个是来自阿拉巴马州的白人至上主义者阿萨/福雷斯特·卡特(Asa/Forrest Carter),他假装自己是切罗基人;另一个是阿奇博尔德·贝兰尼(Archibald Belaney),他是一个英国人,在加拿大以混血印第安灰猫头鹰的身份出现。重点在于分析各自的文化背景和观众出于对民族和文化归属的渴望而相信这些欺骗行为的动机。对于加拿大人来说,《灰猫头鹰》把加拿大的无人区变成了“真正的”北方,让这个年轻的国家有了一种脱离英国祖国的想象。美国观众之所以接受阿萨·卡特的表演,是因为他迎合了平民主义和普通人的反智主义。卡特打动了他的听众,因为他发现了他们最深层次的种族成见、怨恨和恐惧。这两个人的暴露,揭示了北美民族神话的阴暗面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Desire to Believe and Belong: Wannabes and Their Audience in a North American Cultural Context
The chapter discusses two cases of ethnic impersonation, that of Asa/Forrest Carter, a white supremacist from Alabama who pretended to be Cherokee, and that of Archibald Belaney, an Englishman who in Canada took on the identity of the half-blood Indian Grey Owl. The focus lies on an analysis of the respective cultural context and the motivations of the audiences to believe in those acts of imposture out of a desire to belong nationally and culturally. For Canadians, Grey Owl transformed the no-man's land of Canada into a "true" North and gave the young nation a way to imagine itself apart from the British motherland. Audiences in America bought Asa Carter’s act because he appealed to populism and the anti-intellectualism of the common man. Carter reached his audience because he identified their deepest racial stereotypes, resentments, and fears. The exposure of both men, then, reveals the dark underside of North American national myths.
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