英雄身体的肖像学

Brian R. Doak
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引用次数: 0

摘要

第四章脱离了书中其余部分以文本为导向的研究,探索了英雄身体在以色列历史和地理环境中被肖像化描绘的主要方式,更具体地说,在黎凡特甚至铁器时代的以色列。文本以丰富而微妙的方式描述世界的视觉方面,但图像有一个独特的故事要讲述。图像的功能不仅仅是装饰,而是传达关于其主题的关键信息。具体地说,在埃及和黎凡特地区,战士们举起手臂的常见姿势——“击打”、“击打”或“威胁”的姿势——作为英雄身体的杰出肖像而脱颖而出,在那里,击打的英雄形象成为了战士表现的标准。这种与物质文化的互动让我们得以瞥见一个文本模糊或根本无法描述的生活世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Iconography of the Heroic Body
Chapter 4 departs from the textually oriented studies in the rest of the book and explores the primary ways in which heroic bodies were iconographically portrayed in Israel’s historical and geographical environments, and more specifically, wherever possible, within the Levant and even Iron Age Israel. Texts describe visual aspects of the world in rich and subtle ways, but images have a distinct story to tell. Images function not as mere decorations but rather convey crucial information about their subjects. Specifically, the bodies of warriors in the common posture with arm raised—the “striking,” “smiting,” or “menacing” posture—come to the fore as the preeminent iconography of the heroic body in Egypt and the Levant, where striking heroic figures become a norm for warrior representations. This interaction with material culture allows glimpses into a lived world that texts obscure or simply cannot address.
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