困境中的星球:主流学习情境下视觉文本的跨课程整合

Nicholas De Jager, Maretha Steyn
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引用次数: 0

摘要

本文旨在探讨在南非主流学校背景下,采用视觉模式-特别是绘画媒介-作为一种多模式教学法来提高人们对森林砍伐和气候变化的认识的可行性。这项研究在豪登省和西北省的几所公立和私立学校进行,追踪了9名年龄在10到18岁之间的学习者,他们自愿参加了一个为期三周的丰富项目,其中包括将非课程叙事重新构想成一系列素描、油画和拼贴画。在每个参与者的人工重新设计之旅中,叙事也是主要的文本来源,是一本探索指数环境变化概念的无声图画书。在五年级至十一年级的社会科学/地理课堂上,这篇视觉上引人入胜的课文只是作为一个跳板,让学生们在视觉上完全自主地表达自然资源的枯竭和全球变暖的威胁如何影响我们的日常生活,包括精神、情感和身体层面。最后,每个人工制品都是作为主要数据呈现的,以提供对后一种学习者经验的三方关注,艺术的表达特性,以及在未来实践中提出的教学法的可行性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Planet in Distress: Cross-Curricular Integrations of Visual Texts in the Mainstream Learning Context
This article aims to explore the affordances of employing the visual mode— specifically the medium of drawing—as a multimodal pedagogy to raise awareness of deforestation and climate change in the South African mainstream school context. Conducted at several public and private schools in the Gauteng and the North West provinces, the research follows nine learners between the ages of 10 and 18, who have volunteered to participate in a three-week enrichment programme involving the multimodal reimagining of a non-curricular narrative into a series of drawings, paintings and collages. The narrative, which also serves as the primary source text during each participant’s artefactual redesign journey, is a wordless picture book that explores the concept of exponential environmental change. With this visually engaging text merely acting as a springboard for the making of new meanings in the Grade 5 to 11 Social Sciences/Geography classroom, participants are granted complete autonomy in their visual representations of how the exhaustion of our natural resources and moreover the threat of global warming may be impacting upon our daily lives on a spiritual, emotional and corporeal level. Finally, each artefact is presented as primary data to offer a tripartite focus on the latter learner experiences, the expressional properties of art, as well as the viability of the proposed pedagogy in future practice.
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