{"title":"Karbala哀悼Fāṭimid-Ṭayyibī印度shyyda: Sayyidnā Ṭāhir Sayf al- d<e:1> n的阿拉伯语Marthiya,“哦,殉道者之王”","authors":"Tahera Qutbuddin","doi":"10.1163/24682470-12340064","DOIUrl":null,"url":null,"abstract":"\nThe Sayyid al-Shuhadāʾ lament—a poignant fifty-one-stanza Arabic marthiya composed by the Ṭayyibī Dāʿī l-Muṭlaq Sayyidnā Ṭāhir Sayf al-Dīn (d. 1385/1965)—holds an iconic status in the Karbala tradition of the Fāṭimid-Ṭayyibī Shīʿa of India. This article transcribes, translates, and analyses the lament to showcase a distinct religious tradition within a hybrid cultural milieu. The lament’s forms intersect with Arabic poetic conventions set in pre-Islamic times; its themes overlap with Twelver-Shīʿī Karbala laments in Arabic, Persian, and Urdu from the Middle East and South Asia; and its performance stems from melodic Persianate-Urdu recital. Simultaneously, it reflects the Fāṭimid-Ṭayyibī heritage, particularly the teachings of al-Muʾayyad al-Shīrāzī (d. 470/1078), including the fundamentals of their Imāmate doctrine and the salvific importance of weeping for Ḥusayn.","PeriodicalId":107625,"journal":{"name":"Shii Studies Review","volume":"47 9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Karbala Mourning among the Fāṭimid-Ṭayyibī Shīʿa of India: Doctrinal and Performative Aspects of Sayyidnā Ṭāhir Sayf al-Dīn’s Arabic Marthiya, “O King of Martyrs” (Yā Sayyida l-Shuhadāʾī)\",\"authors\":\"Tahera Qutbuddin\",\"doi\":\"10.1163/24682470-12340064\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe Sayyid al-Shuhadāʾ lament—a poignant fifty-one-stanza Arabic marthiya composed by the Ṭayyibī Dāʿī l-Muṭlaq Sayyidnā Ṭāhir Sayf al-Dīn (d. 1385/1965)—holds an iconic status in the Karbala tradition of the Fāṭimid-Ṭayyibī Shīʿa of India. This article transcribes, translates, and analyses the lament to showcase a distinct religious tradition within a hybrid cultural milieu. The lament’s forms intersect with Arabic poetic conventions set in pre-Islamic times; its themes overlap with Twelver-Shīʿī Karbala laments in Arabic, Persian, and Urdu from the Middle East and South Asia; and its performance stems from melodic Persianate-Urdu recital. Simultaneously, it reflects the Fāṭimid-Ṭayyibī heritage, particularly the teachings of al-Muʾayyad al-Shīrāzī (d. 470/1078), including the fundamentals of their Imāmate doctrine and the salvific importance of weeping for Ḥusayn.\",\"PeriodicalId\":107625,\"journal\":{\"name\":\"Shii Studies Review\",\"volume\":\"47 9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shii Studies Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/24682470-12340064\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shii Studies Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/24682470-12340064","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Karbala Mourning among the Fāṭimid-Ṭayyibī Shīʿa of India: Doctrinal and Performative Aspects of Sayyidnā Ṭāhir Sayf al-Dīn’s Arabic Marthiya, “O King of Martyrs” (Yā Sayyida l-Shuhadāʾī)
The Sayyid al-Shuhadāʾ lament—a poignant fifty-one-stanza Arabic marthiya composed by the Ṭayyibī Dāʿī l-Muṭlaq Sayyidnā Ṭāhir Sayf al-Dīn (d. 1385/1965)—holds an iconic status in the Karbala tradition of the Fāṭimid-Ṭayyibī Shīʿa of India. This article transcribes, translates, and analyses the lament to showcase a distinct religious tradition within a hybrid cultural milieu. The lament’s forms intersect with Arabic poetic conventions set in pre-Islamic times; its themes overlap with Twelver-Shīʿī Karbala laments in Arabic, Persian, and Urdu from the Middle East and South Asia; and its performance stems from melodic Persianate-Urdu recital. Simultaneously, it reflects the Fāṭimid-Ṭayyibī heritage, particularly the teachings of al-Muʾayyad al-Shīrāzī (d. 470/1078), including the fundamentals of their Imāmate doctrine and the salvific importance of weeping for Ḥusayn.