{"title":"重新审视印度电影中的种姓","authors":"Akshaya Kumar","doi":"10.5325/soundings.104.4.0362","DOIUrl":null,"url":null,"abstract":"Abstract:Adding nuance to the accusation of sustained caste blindness against Indian cinema, this article situates Nagraj Manjule's Marathi blockbuster Sairat (2016) within the trajectories of Marathi cinema, and vis-à-vis the historical traffic between the Hindi film industry and its southern counterparts. The article grapples with sociological and formal valences of realism and melodrama, which co-constitute Sairat, so as to argue that the re-visioning must address the \"invisible\" embeddedness of caste in universalized abstractions; or more appropriately, in its (mis)translations away from the \"limiting\" particularity of caste politics to be subsumed under more universally legible aesthetic of social justice.","PeriodicalId":231294,"journal":{"name":"Soundings: An Interdisciplinary Journal","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Re-Visioning Caste in Indian Cinema\",\"authors\":\"Akshaya Kumar\",\"doi\":\"10.5325/soundings.104.4.0362\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Adding nuance to the accusation of sustained caste blindness against Indian cinema, this article situates Nagraj Manjule's Marathi blockbuster Sairat (2016) within the trajectories of Marathi cinema, and vis-à-vis the historical traffic between the Hindi film industry and its southern counterparts. The article grapples with sociological and formal valences of realism and melodrama, which co-constitute Sairat, so as to argue that the re-visioning must address the \\\"invisible\\\" embeddedness of caste in universalized abstractions; or more appropriately, in its (mis)translations away from the \\\"limiting\\\" particularity of caste politics to be subsumed under more universally legible aesthetic of social justice.\",\"PeriodicalId\":231294,\"journal\":{\"name\":\"Soundings: An Interdisciplinary Journal\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Soundings: An Interdisciplinary Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/soundings.104.4.0362\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soundings: An Interdisciplinary Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/soundings.104.4.0362","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Abstract:Adding nuance to the accusation of sustained caste blindness against Indian cinema, this article situates Nagraj Manjule's Marathi blockbuster Sairat (2016) within the trajectories of Marathi cinema, and vis-à-vis the historical traffic between the Hindi film industry and its southern counterparts. The article grapples with sociological and formal valences of realism and melodrama, which co-constitute Sairat, so as to argue that the re-visioning must address the "invisible" embeddedness of caste in universalized abstractions; or more appropriately, in its (mis)translations away from the "limiting" particularity of caste politics to be subsumed under more universally legible aesthetic of social justice.
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