音乐发现作为流媒体提供商的差异化策略

Andreas Raff, Andreas Mladenow, C. Strauss
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引用次数: 1

摘要

音乐发现在瞬间以多种可能的方式呈现出来。当在音乐发现维度上比较流媒体服务的用户角色时,两个主要的区分标准变得明显,即发现新音乐时的意图程度和想要施加的控制。在此背景下,本文提出了一个框架,该框架将流媒体提供商在这两个标准的帮助下,将音乐发现的可能方式分为主动、半主动、半被动和被动,以便分别分析它们,概述成功因素和当前研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music Discovery as Differentiation Strategy for Streaming Providers
Music discovery presents itself in an instant and in a multitude of possible ways. When comparing the user personas of streaming services in the dimension of music discovery, two main differentiation criteria become apparent, namely the degree of intention and the control one wants to exert when discovering new music. Against this background, this paper proposes a framework which categorises the possible ways of music discovery in a streaming provider with the help of those two criteria into active, semi-active, semi-passive and passive ways in order to analyse them separately, outline success factors and current research.
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