{"title":"俄狄浦斯的“邪恶”罪行。从黑色小说到艾伦·帕克的《天使之心》","authors":"R. Danese","doi":"10.7358/ling-2019-002-dane","DOIUrl":null,"url":null,"abstract":"Sophocles’ Oedipus the King is considered the prototype of modern detective stories. Alain Robbe-Grillet, in his novel Les Gommes, transforms the story of Oedipus into a typical noir and William Hjortsberg uses it as a hypotext for his ‘demonic’ crime novel Falling Angel. On this book Alan Parker based his movie Angel Heart, where the main elements of the myth of Oedipus are rendered through original solutions, closely linked to the peculiarities of film language.","PeriodicalId":302041,"journal":{"name":"Linguæ & - Rivista di lingue e culture moderne","volume":"66 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La ‘diabolica’ colpa di Edipo. Rinarrare il mito oggi fra letteratura e cinema: dal romanzo noir ad Angel Heart di Alan Parker\",\"authors\":\"R. Danese\",\"doi\":\"10.7358/ling-2019-002-dane\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Sophocles’ Oedipus the King is considered the prototype of modern detective stories. Alain Robbe-Grillet, in his novel Les Gommes, transforms the story of Oedipus into a typical noir and William Hjortsberg uses it as a hypotext for his ‘demonic’ crime novel Falling Angel. On this book Alan Parker based his movie Angel Heart, where the main elements of the myth of Oedipus are rendered through original solutions, closely linked to the peculiarities of film language.\",\"PeriodicalId\":302041,\"journal\":{\"name\":\"Linguæ & - Rivista di lingue e culture moderne\",\"volume\":\"66 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Linguæ & - Rivista di lingue e culture moderne\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7358/ling-2019-002-dane\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Linguæ & - Rivista di lingue e culture moderne","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7358/ling-2019-002-dane","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
La ‘diabolica’ colpa di Edipo. Rinarrare il mito oggi fra letteratura e cinema: dal romanzo noir ad Angel Heart di Alan Parker
Sophocles’ Oedipus the King is considered the prototype of modern detective stories. Alain Robbe-Grillet, in his novel Les Gommes, transforms the story of Oedipus into a typical noir and William Hjortsberg uses it as a hypotext for his ‘demonic’ crime novel Falling Angel. On this book Alan Parker based his movie Angel Heart, where the main elements of the myth of Oedipus are rendered through original solutions, closely linked to the peculiarities of film language.
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