{"title":"西西里岛的“坐像女神”兵马俑","authors":"G. V. Rooijen","doi":"10.4000/ACOST.751","DOIUrl":null,"url":null,"abstract":"Terracotta statuettes were a popular ex-voto in Greek antiquity, varying in size and design. The use of a mold for terracotta figurines was introduced by Greek colonists in the 7th century B.C. to the indigenous people of Sicily. From that moment onwards there was an ongoing interaction between the cultic expressions of these different peoples, which reflected the changed social structures and the production and economic values of votive terracottas. This reciprocal interaction is visible in ...","PeriodicalId":318317,"journal":{"name":"Les Carnets de l’ACoSt","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2013-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Terracotta ‘Enthroned Goddess’ of Sicily\",\"authors\":\"G. V. Rooijen\",\"doi\":\"10.4000/ACOST.751\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Terracotta statuettes were a popular ex-voto in Greek antiquity, varying in size and design. The use of a mold for terracotta figurines was introduced by Greek colonists in the 7th century B.C. to the indigenous people of Sicily. From that moment onwards there was an ongoing interaction between the cultic expressions of these different peoples, which reflected the changed social structures and the production and economic values of votive terracottas. This reciprocal interaction is visible in ...\",\"PeriodicalId\":318317,\"journal\":{\"name\":\"Les Carnets de l’ACoSt\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2013-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Les Carnets de l’ACoSt\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/ACOST.751\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Les Carnets de l’ACoSt","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/ACOST.751","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Terracotta statuettes were a popular ex-voto in Greek antiquity, varying in size and design. The use of a mold for terracotta figurines was introduced by Greek colonists in the 7th century B.C. to the indigenous people of Sicily. From that moment onwards there was an ongoing interaction between the cultic expressions of these different peoples, which reflected the changed social structures and the production and economic values of votive terracottas. This reciprocal interaction is visible in ...