{"title":"关于俄罗斯与塞尔维亚文学往来的问题","authors":"E. Osipova","doi":"10.22455/2686-7494-2019-1-1-148-157","DOIUrl":null,"url":null,"abstract":"The review examines the “Slavic” articles of the scientific collection “Classics and modernity: Gogol, Turgenev, Gorky” (Belgrade, Moscow, Tyumen, Voronezh, 2018). Their analysis makes it possible to clarify certain topics of Serbian literature of the XX century, particularly, the ideological and artistic features of the work of the largest Serbian poet of the last century, Jovan Ducic and the Nobel laureate, writer Ivo Andric. As well it allows to highlight some aspects of the Russian-Serbian cultural relations of the XIX– XX centuries. Special attention should be paid to the work devoted to N. V. Gogol and the perception of his creative heritage in the Slavic world (articles by V. A. Voropayev, E. V. Sartakov). However, a critical analysis of the article by S. N. Meshcheryakov allows us to raise the question of Gogol’s tradition in Serbian literature. The works of Serbian authors about the work of A. M. Gorky are of considerable interest (article Curica B., Vraneš and L. A. Markovich, S. Т., Bruskewitz), because they give possibility to put a number of important questions on Russian-Serbian cultural and public relations of XIX — beginning","PeriodicalId":359000,"journal":{"name":"Two centuries of the Russian classics","volume":"69 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"To a question of the Russian-Serbian literary crossings\",\"authors\":\"E. Osipova\",\"doi\":\"10.22455/2686-7494-2019-1-1-148-157\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The review examines the “Slavic” articles of the scientific collection “Classics and modernity: Gogol, Turgenev, Gorky” (Belgrade, Moscow, Tyumen, Voronezh, 2018). Their analysis makes it possible to clarify certain topics of Serbian literature of the XX century, particularly, the ideological and artistic features of the work of the largest Serbian poet of the last century, Jovan Ducic and the Nobel laureate, writer Ivo Andric. As well it allows to highlight some aspects of the Russian-Serbian cultural relations of the XIX– XX centuries. Special attention should be paid to the work devoted to N. V. Gogol and the perception of his creative heritage in the Slavic world (articles by V. A. Voropayev, E. V. Sartakov). However, a critical analysis of the article by S. N. Meshcheryakov allows us to raise the question of Gogol’s tradition in Serbian literature. The works of Serbian authors about the work of A. M. Gorky are of considerable interest (article Curica B., Vraneš and L. A. Markovich, S. Т., Bruskewitz), because they give possibility to put a number of important questions on Russian-Serbian cultural and public relations of XIX — beginning\",\"PeriodicalId\":359000,\"journal\":{\"name\":\"Two centuries of the Russian classics\",\"volume\":\"69 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Two centuries of the Russian classics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22455/2686-7494-2019-1-1-148-157\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Two centuries of the Russian classics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22455/2686-7494-2019-1-1-148-157","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
本文考察了科学文集《经典与现代性:果戈理、屠格涅夫、高尔基》(贝尔格莱德、莫斯科、秋明、沃罗涅日,2018年)中的“斯拉夫语”文章。他们的分析使得澄清20世纪塞尔维亚文学的某些主题成为可能,特别是上世纪最大的塞尔维亚诗人Jovan Ducic和诺贝尔奖获得者作家Ivo Andric的作品的思想和艺术特征。此外,它可以突出一些方面的俄罗斯-塞尔维亚文化关系的十九至二十世纪。应该特别注意专门研究n.v.果戈理的工作,以及对他在斯拉夫世界的创作遗产的看法(V. A. Voropayev, E. V. Sartakov的文章)。然而,通过对Meshcheryakov文章的批判性分析,我们可以提出果戈理在塞尔维亚文学中的传统问题。塞尔维亚作家关于A. M.高尔基的作品是相当有趣的(文章Curica B., vranesi和L. A. Markovich, S. Т)。, Bruskewitz),因为它们提供了对19世纪开始的俄罗斯-塞尔维亚文化和公共关系提出一些重要问题的可能性
To a question of the Russian-Serbian literary crossings
The review examines the “Slavic” articles of the scientific collection “Classics and modernity: Gogol, Turgenev, Gorky” (Belgrade, Moscow, Tyumen, Voronezh, 2018). Their analysis makes it possible to clarify certain topics of Serbian literature of the XX century, particularly, the ideological and artistic features of the work of the largest Serbian poet of the last century, Jovan Ducic and the Nobel laureate, writer Ivo Andric. As well it allows to highlight some aspects of the Russian-Serbian cultural relations of the XIX– XX centuries. Special attention should be paid to the work devoted to N. V. Gogol and the perception of his creative heritage in the Slavic world (articles by V. A. Voropayev, E. V. Sartakov). However, a critical analysis of the article by S. N. Meshcheryakov allows us to raise the question of Gogol’s tradition in Serbian literature. The works of Serbian authors about the work of A. M. Gorky are of considerable interest (article Curica B., Vraneš and L. A. Markovich, S. Т., Bruskewitz), because they give possibility to put a number of important questions on Russian-Serbian cultural and public relations of XIX — beginning