悲剧

T. Cochrane
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引用次数: 18

摘要

本章主要介绍悲剧的悖论。值得注意的是,评价现实生活中的悲剧或苦难比艺术悲剧更难。试图通过世界的整体美来使我们与悲剧和解的叙述过于遥远和无情。对悲剧价值的解释必须同时符合道德规范。有人认为,当悲剧艺术作品恰当地承认痛苦时,它们在伦理上是合适的。现实生活中的悲剧也可能如此。与此同时,悲剧艺术作品帮助我们看到,即使我们不重视这些人的痛苦,我们也可以因为他们自己的利益而积极地重视他们——被描述为同情价值。同情价值也适用于坏人。最后介绍了交感对象的可能性,并将其与日本审美概念“侘寂”联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Tragic
The paradox of tragedy is introduced in this chapter. It is noted that it is harder to value real-life tragedies or suffering than artistic tragedies. Accounts attempting to reconcile us with tragedy by means of the overall beauty of the world are too distanced and callous. An account of the value of tragedy that is simultaneously ethically appropriate is required. It is argued that tragic works of art are ethically appropriate when they properly acknowledge suffering. The same is possible for real-life tragedy. Meanwhile, tragic works of art help us to see that we can positively value individuals for their own sake—described as sympathetic value—even while we do not value those individuals’ suffering. Sympathetic value is also applicable to bad people. Finally the possibility of sympathetic objects is introduced, and connected with the Japanese aesthetic concept of ‘wabi’.
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