福尔摩斯世界的原型:《神探夏洛克》(BBC)和《基本演绎法》(CBS)对原型的挪用研究

Rituparna Das
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引用次数: 0

摘要

夏洛克·福尔摩斯的概念,或者我所说的福尔摩斯性,随着福尔摩斯在银幕上的每一次表现而演变,他的维多利亚时代的英格兰也随之演变。我的论文认为,福尔摩斯已经成为正义战胜邪恶的象征,在由其他人物、事件和福尔摩斯的维多利亚时代的英国组成的生态系统中蓬勃发展;而福尔摩斯只有和他的生态系统一起才能成功地呈现出来。为了支持这一点,我将分析最近两部改编自《神探夏洛克》的电视剧——BBC的《神探夏洛克》和CBS的《基本演绎法》,并强调这些电视剧是如何成功地将福尔摩斯和他的生态系统象征性地改编——不是作为叙事的悲叹,而是作为原型。所选择的改编不仅在当代挪用了福尔摩斯,而且也挪用了他的世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Archetypes of Holmesian World: A Study of Sherlock (BBC) and Elementary (CBS) as Appropriations of Archetypes
The idea of Sherlock Holmes or what I am calling Holmesness has evolved with each of Holmes’s onscreen representations and with it has evolved his Victorian England. My paper argues that Holmes has become an emblem of victory of good over evil, thriving in his ecosystem comprised of other characters, incidents and Holmes’s Victorian England; and Holmes can only be successfully represented along with his ecosystem. To support this, I will analyse two recent television adaptations of Sherlock Holmes – Sherlock by BBC and Elementary by CBS and highlight how these series have successfully adapted Holmes and his ecosystem emblematically—not as narrative laments, but as archetypes. The chosen adaptations have not only appropriated Holmes in contemporary time, but also have appropriated his world as well.
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