反馈效应及其在舞台演讲艺术中的应用

M. Costea
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引用次数: 0

摘要

众所周知,任何结果都是由原因产生的。反馈效应或逆联系是一种物理现象,通过这种现象,结果返回到产生它的原因,改变其初始参数。为了使这种现象发生,必须有一个反馈电路来返回信号。一个简单的例子就是从错误中学习。在我们的案例中,我们将参考舞台文本的发音和反馈效应在纠正中的重要性,以及演员在一次重复到另一次重复中解释文本的进步。一个人所犯的每一个错误都是可以改正的,如果他意识到他所犯的错误的话。因此,他的部分错误的行为,然而,使他一步步接近最初提出的目标。在这个意义上,我们将讨论反馈效应及其在舞台演讲艺术中的应用,并从总体上回顾反馈现象在戏剧艺术中的研究和适用性。固定的声音,具体到舞台演讲技巧,发声时声音对横膈膜的支撑,对语调和呼吸的永久控制,演员在舞台上受到的众多互动,他的进步,相反,声音的退步,学生在舞台演讲艺术中与老师的互动,都是由于反向连接效应而成为可能的。在这种情况下,所有的反应回路都是通过中枢神经系统产生的。坚持说话,坚持发音器官,坚持各种各样的互动,这些都出现在戏剧表演艺术中,或者是
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Feedback Effect And Its Applications In The Art Of Stage Speech
: It is known that any effect is generated by a cause. The feedback effect, or inverse connection, is that physical phenomenon by which the effect returns to the cause that produced it, changing its initial parameters. For this phenomenon to occur, it is necessary to have a feedback circuit that returns the signal. A simple example of this is learning from mistakes. In our case, we will refer to the pronunciation of the stage text and the importance of the feedback effect in correcting and the actor's progress in interpreting the text from one repetition to another. Every mistake made by a man can correct his behavior, if he realizes the mistake he made. Thus, his partially wrong actions, however, bring him closer step by step, to the goal originally proposed. In this sense, we will deal with the feedback effect and its applications in the art of stage speech and will review the study and applicability of the feedback phenomenon in the art of theater in general. The set voice, specific to the stage speech technique, the support of the voice on the diaphragm during phonation, the permanent control of intonation and breathing, the multitude of interactions to which the actor is subjected on stage, his progress, on the contrary, vocal regression, student interaction in stage speech art and his teacher, all are possible due to the reverse connection effect. All reaction circuits are made in this case through the central nervous system. and persevering the speech, of the of the phonatory apparatus, of all kinds of interactions, which appear in the art of theater performance or in the of
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