杂志艺术

A. Dahlgren
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引用次数: 0

摘要

第三章考察了印刷杂志作为20世纪80年代艺术和时尚世界融合的场所。自20世纪90年代初以来,时尚摄影在艺术领域和商业领域之间毫不费力地迁移,要么被视为个人作品,要么被设计师、品牌和时尚出版物的想法和需求所限制。正如几位学者所指出的,这种发展的关键部分是20世纪90年代出现的新美学,它挑战了传统的时尚观念,即对服装的迷人描绘,一种被称为“垃圾现实主义”、“激进时尚”或“后时尚”的风格。然而,如本章所示,这一发展的一个同样重要的物质基础是1980年代出现了新的论坛。后来,在20世纪90年代和21世纪初,出现了几本横跨艺术、风格文化和高级时尚的杂志,如《紫色散文》、《坦克》、《032C》和《时尚》。本章通过对《i-D》和《艺术论坛》这两本杂志的仔细考察,追溯了这些越界的起源,这两本杂志在20世纪80年代从不同的立场和不同的策略充当了艺术与时尚之间的活跃界面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Magazined art
Chapter 3 investigates the printed magazine as a site where the world of art and fashion merged in the 1980s. Since the early 1990s fashion photographs have migrated effortlessly between the art field and the commercial field, between being considered as personal works or assignments limited by the ideas and wants of designers, brands and fashion publications. As pointed out by several scholars a crucial part of this development was the new aesthetics that emerged in the 1990s which challenged traditional notions of fashion as glamorous depictions of garments, a style labelled ‘trash realism’, ’radical fashion’ or ’post fashion’. However, as the chapter shows, an equally important material basis for this development was the emergence of new fora in the 1980s. Later on, in the 1990s and early 2000s several magazines that straddled art, style culture and high fashion appeared, such as Purple Prose, Tank, 032C and Sleek. This chapter trace the beginnings of these transgressions through a close examination of the two magazines i-D and Artforum, which from different positions and with different strategies served as an active interface between art and fashion in the 1980s.
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