想象中的芭比,Sherazade和Alyssa。文化中的性别表征分析

M. Lucenti
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引用次数: 0

摘要

对女性偶像的分析,作为一种解构与性别有关的想象的因素,正如它在不同的文化中被建立和衰落一样,代表了本文的主题。本文试图通过一场东西方之间的想象之旅,识别文化中的女性教育模式,并从一些重要的偶像的研究中推断出女性教育模式。芭比娃娃、莎拉扎德、阿丽莎不仅是故事、神话、传说或好玩的对象中的人物,而且通过她们自己的“特殊性”,传递了一种可以效仿的模式,指向年轻女孩和青少年——也指向男性——她们不仅属于性别,而且属于文化。这种归属的特殊性是什么?从这些图标和模型的比较中可以看出什么?女性形象固有的想象性揭示了一个“身份问题”,它使我们能够把握性别归属的深层含义,作为自己文化的产物,只有通过与他者的比较才能充分理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Barbie, Sherazade and Alyssa in the imaginary. Analysis of gender representations in cultures
The analysis of female icons, as a deconstruction factor of the imaginary related to gender, just like it has been built and declined by different cultures, represents the subjet of this article. Through a journey in the imaginary between East and West, an attempt will be made to identify female educational models in cultures, which can be deduced from the study of some significant icons. Barbie, Sharazade, Alyssa are not only characters of stories, myths, legends or playful objects, but convey, through their own “specificity”, a model to follow, pointing to young girls and adolescents– but also to their male counterpart– their belonging not only of gender, but also of culture. What is the specificity of this belonging? What emerges from the comparison between such icons and models? The imaginary inherent in feminine icons reveals an “issue of identity” which allows us to grasp the deep meaning of gender belonging, as a product of one’s own culture, meaning that we can fully understand only through comparison with otherness.
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