在数学和动态上崇高的美术

Iva Draskic-Vicanovic
{"title":"在数学和动态上崇高的美术","authors":"Iva Draskic-Vicanovic","doi":"10.2298/theo2102121d","DOIUrl":null,"url":null,"abstract":"Taking into account the intriguing fact that Kant in his Critique of\n Judgment, when the category of sublime in arts is concerned, mentions the\n examples of the sublime in art just in the field of fine arts, specifically\n - architecture, and only in the context of mathematically sublime, author\n organizes research in this text in two directions, i.e. raises two important\n questions: 1 ) What are the possible philosophical reasons why Kant does so\n and 2) Is it, if at all, and by what means, possible to discuss dynamically\n sublime in the fine arts.","PeriodicalId":374875,"journal":{"name":"Theoria, Beograd","volume":"84 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mathematically and dynamically sublime in fine arts\",\"authors\":\"Iva Draskic-Vicanovic\",\"doi\":\"10.2298/theo2102121d\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Taking into account the intriguing fact that Kant in his Critique of\\n Judgment, when the category of sublime in arts is concerned, mentions the\\n examples of the sublime in art just in the field of fine arts, specifically\\n - architecture, and only in the context of mathematically sublime, author\\n organizes research in this text in two directions, i.e. raises two important\\n questions: 1 ) What are the possible philosophical reasons why Kant does so\\n and 2) Is it, if at all, and by what means, possible to discuss dynamically\\n sublime in the fine arts.\",\"PeriodicalId\":374875,\"journal\":{\"name\":\"Theoria, Beograd\",\"volume\":\"84 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Theoria, Beograd\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/theo2102121d\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theoria, Beograd","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/theo2102121d","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

考虑到一个有趣的事实,即康德在他的《判断批判》中,当涉及到艺术中的崇高范畴时,提到了艺术中崇高的例子,只是在美术领域,特别是建筑领域,并且仅在数学崇高的背景下,作者在本文中组织了两个方向的研究,即提出了两个重要问题:1)康德这样做的可能的哲学原因是什么? 2)如果有可能,以及通过什么手段,在美术中讨论动态的崇高是可能的吗?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mathematically and dynamically sublime in fine arts
Taking into account the intriguing fact that Kant in his Critique of Judgment, when the category of sublime in arts is concerned, mentions the examples of the sublime in art just in the field of fine arts, specifically - architecture, and only in the context of mathematically sublime, author organizes research in this text in two directions, i.e. raises two important questions: 1 ) What are the possible philosophical reasons why Kant does so and 2) Is it, if at all, and by what means, possible to discuss dynamically sublime in the fine arts.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信