在海边

Kimberly Cassibry
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引用次数: 0

摘要

那不勒斯湾不仅拥有地中海的主要港口普特奥利(Pozzuoli),还有宫廷最喜欢的水疗中心Baiae (Baia)。大约有十几个玻璃瓶上贴着这两个海滨城市的标签。这些城市景观在帝国的便携式艺术中是前所未有的。作为文献,它们已被证明对考古学家分析因持续的地震活动和持续的占领而破坏的地形很有用。本章将他们的创新设计与帝国更广泛的视觉文化联系起来,然后追踪他们在海湾以外的流通,在Ostia, Populonia, Emerita (m rida), Asturica (Astorga)和Colonia Ara Claudia Aggripinensium(科隆)找到了记录的发现点。瓶子的复杂交流促进了城市之间的比较:它们是一个地方的人认识另一个地方的一种方式。因此,他们让国外的观众对自己在罗马全球化帝国中的地位有了新的认识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
By the Sea
The Bay of Naples boasted not only a leading Mediterranean port, Puteoli (Pozzuoli), but also the imperial court’s favorite spa, Baiae (Baia). About a dozen glass bottles bear labeled images of these two waterfront cities. These cityscapes are unprecedented in the empire’s portable arts. As documents, they have proven useful to archaeologists parsing terrain disrupted by ongoing seismic activity and continuous occupation. This chapter connects their innovative designs to the empire’s broader visual culture, and then tracks their circulation beyond the bay to documented findspots in Ostia, Populonia, Emerita (Mérida), Asturica (Astorga), and Colonia Ara Claudia Aggripinensium (Cologne). The bottles’ complex communication facilitated urban comparisons: they are one way that people in one place might come to know another. They therefore gave viewers abroad a new sense of their own place in Rome’s globalized empire.
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