{"title":"蕾拉·阿布德拉扎克作品中的职业纠缠","authors":"Keith P. Feldman","doi":"10.1215/10418385-8241879","DOIUrl":null,"url":null,"abstract":"Abstract:This essay considers how the graphic arts of Leila Abdelrazaq give form to Palestine's contemporary worldliness and to the worldliness of Palestinian difference. It argues that Abdelrazaq's work illustrates the entanglement of diaspora, memory, and futurity within the interconnected structures of enclosure and expulsion.","PeriodicalId":232457,"journal":{"name":"Qui Parle: Critical Humanities and Social Sciences","volume":"66 2","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Carceral Entanglement in the Work of Leila Abdelrazaq\",\"authors\":\"Keith P. Feldman\",\"doi\":\"10.1215/10418385-8241879\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay considers how the graphic arts of Leila Abdelrazaq give form to Palestine's contemporary worldliness and to the worldliness of Palestinian difference. It argues that Abdelrazaq's work illustrates the entanglement of diaspora, memory, and futurity within the interconnected structures of enclosure and expulsion.\",\"PeriodicalId\":232457,\"journal\":{\"name\":\"Qui Parle: Critical Humanities and Social Sciences\",\"volume\":\"66 2\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Qui Parle: Critical Humanities and Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/10418385-8241879\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Qui Parle: Critical Humanities and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/10418385-8241879","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Carceral Entanglement in the Work of Leila Abdelrazaq
Abstract:This essay considers how the graphic arts of Leila Abdelrazaq give form to Palestine's contemporary worldliness and to the worldliness of Palestinian difference. It argues that Abdelrazaq's work illustrates the entanglement of diaspora, memory, and futurity within the interconnected structures of enclosure and expulsion.
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