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引用次数: 0
摘要
与此同时,瑜伽在成人教育领域不断扩大,印度灵性也在20世纪60年代末和70年代的反文化环境中流行起来。媒体对音乐名人对印度灵性和瑜伽感兴趣的报道最初是轻蔑的。然而,在这一时期,瑜伽和印度的宗教信仰逐渐成为人们从英国文化之外寻找灵感的一种可接受的方式。这一章确定了披头士乐队对音乐灵感的寻找,瑜伽在亚洲音乐圈的普及,Maharishi Mahesh Yogi和国际奎师那知觉协会(ISKCON)对瑜伽练习日益受到主流关注的关键影响。本章涵盖了在伦敦成立的体验中心,如Centre House, Muz Murry的Gandolf花园,第一个悉瓦南达瑜伽中心和快乐健康神圣组织(3HO或昆达里尼瑜伽)。
Yoga in Popular Music and 'Counter Culture' (the 60s and 70s)
At the same time that yoga was expanding in the adult education sector, Indian spirituality was also becoming popular amongst counter cultural milieus of the late 1960s and 70s. Press coverage of music celebrity interest in Indian spirituality and yoga was initially scornful. Yet during this period, yoga and Indian religiosity became an increasingly acceptable way of looking outside British culture for inspiration. This chapter identifies The Beatles’ search for musical inspiration, the popularization of yoga via the Asian Music Circle, the Maharishi Mahesh Yogi and the International Society for Krishna Consciousness (ISKCON) as being key influences in the increasingly mainstream attention to yogic practices. This chapter covers experiential centres such as Centre House, Muz Murry’s Gandolf’s Garden, the first Sivananda Yoga Centre and the Happy Healthy Holy Organization (3HO or Kundalini Yoga) becoming established in London.