《怀疑论者希米:一部早期现代犹太反基督教论战剧中的怀疑声音》,作者:马蒂亚胡·尼西姆·特尼

K. Dobos
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引用次数: 0

摘要

自上古晚期以来,犹太人的辩论/辩护文本的主要目的是加强全球犹太社区中软弱的成员,这是一个不言而喻的事实。因此,这种文本的存在暗示了某种形式的“宗教怀疑主义”的存在,或者犹太人群体中不确定的感觉。另一方面,从近代早期开始,这一流派就发生了根本性的变化。这个怀疑的人物,以前只是隐藏在文本的背景中,现在从幕后走出来,并以一个清晰可识别的形状出现,就像Shimi,意大利剧作家Matityahu Nissim Terni(1745 - 1810)所写的辩论戏剧的主角之一,名为Derech Emunah(“信仰之路”)。本文试图分析特尔尼的戏剧,将其作为对犹太区时代一个普通意大利犹太人复杂性格的非常敏感的心理写照,成功地将当代戏剧的技术要求与他那个时代犹太社区的具体价值观、期望和令人着迷的问题协调起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shimi the Sceptical: Sceptical Voices in an Early Modern Jewish, Anti-Christian Polemical Drama by Matityahu Nissim Terni
It is a truism that Jewish polemical/apologetic texts have been written since Late Antiquity with the main purpose of strengthening the faint-hearted members of Jewish communities throughout the globe. Hence the existence of this kind of text implicitly suggests the presence of some form of “religious scepticism” or feeling of uncertainty in the ranks of the Jewish population. On the other hand, since the beginning of the early modern period a radical change can be felt in the genre. The sceptical figure, who had been present previously only hidden in the background of the texts, now came forth from behind the scenes, and took a clearly identifiable shape, like Shimi, one of the protagonists of the polemical drama, written by the Italian playwright Matityahu Nissim Terni (1745– 1810), entitled Derech Emunah (“The Way of Faith”). In this paper an attempt will be made to analyse Terni’s drama as a very sensitive psychological portrayal of the complex personality of an average Italian Jew of the ghetto age, reconciling successfully the technical requirements of contemporary dramaturgy with the specific values, expectations and tantalizing questions of the Jewish community of his age.
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