与原始能量激发艺术共同探究

Darlene St. Georges, Barbara Bickel
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引用次数: 0

摘要

这是一个过程中的、以创造为中心的研究项目的第一篇文章,该项目通过作者独特的、互补的以创造为中心的研究(St. Georges, 2020,出版)和自发的创造(Bickel, 2020;Bickel & Fisher, 1993)。正如我们所设想的那样,原始能量在表现过程中被体验为运动中的精神——使不可见的东西变得可见——并且植根于内部相互关系的美学。这种以创造为中心的探究是一种关系和生动的方法,用于创造、探究、学习、遗忘和教学。它通过探索内在的主观空间,放弃口语化的审美限制,并包围一个神圣的空间来恢复,治愈和去殖民化想象力,从而抵制殖民镜头。在呼吸精神、触觉、直觉、经验和对话交流以及富有同情心的关系的引导下,创造性的生命力被激活,以形成新的认识方式——走向非凡。这篇文章结合了理论和解释性的文本,视觉和诗意的故事,以及互动的气息,邀请读者进入这个探究的旅程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Inspirited Artistic Co-Inquiry with Raw Energy
This is the first article of an in-process, creation-centred research project exploring raw energy through the authors’ distinctive and complementary inquiry practices of creation-centred research (St. Georges, 2020, in press) and spontaneous creation-making (Bickel, 2020; Bickel & Fisher, 1993). Raw energy, as conceived, is experienced as spirit-in-motion in a process of manifestation—of making the invisible visible—and is rooted in an intra)inter-relational aesthetic. This creation-centred inquiry is a relational and animated approach to creating, inquiry, learning, unlearning, and teaching. It resists the colonial lens by virtue of exploring inner subjective space, relinquishing colloquial aesthetic constraints, and enveloping a sacred space in which to restore, heal, and decolonize the imagination. Led by breath)spirit, touch, intuition, experiential and conversational exchanges, and compassionate relationships, creative lifeforce is activated to forge new ways of knowing—moving toward the extraordinary. This article engages with theoretical and explanatory text, visual and poetic storying, and interactive breath that invites the reader into this inquiring journey.
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