非殖民化景观建筑工作室:学生叙事的空间建模

C. Price
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引用次数: 0

摘要

本文提出了全球北方视角在景观建筑教育中的主导地位的问题,在南非,迫切需要非殖民化教育,并使土著和本土的意义创造实践可见。在解决这些问题的过程中,本研究发现了一种多模态社会符号学方法的共鸣,该方法承认学生作为获取和挑战主流教育话语的意义制造者的兴趣、能动性和智谋。本研究涉及一年级景观建筑工作室设计项目的案例研究。该项目要求学生选择一种叙事方式,并将其表现为一个空间模型:一个可以安装在公园里的空间体验的缩放3D模型。这个实践性反思仔细分析了一个学生Malibongwe的空间模型,重点关注他对意义创造的兴趣;他所借鉴的创新意义创造实践和多样化资源;以及他在叙事中对黑人经历的空间能指的表达。这种反思表明,马里邦威的叙事不仅在空间模式中被复制,而且被重塑:将资源转化为三维空间形式,从而产生新的理解和新的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Decolonising a landscape architecture studio: Spatial modelling of student narratives
This paper problematises the dominance of global north perspectives in landscape architectural education, in South Africa where there are urgent calls to decolonise education and make visible indigenous and vernacular meaning-making practices. In grappling with these concerns, this research finds resonance with a multimodal social semiotic approach that acknowledges the interest, agency and resourcefulness of students as meaning-makers in both accessing and challenging dominant educational discourses. This research involves a case study of a design project in a first-year landscape architectural studio. The project requires students to choose a narrative and to represent it as a spatial model: a scaled, 3D maquette of a spatial experience that could be installed in a public park. This practitioner reflection closely analyses the spatial model of one student, Malibongwe, focusing on his interest in meaning-making; the innovative meaning-making practices and diverse resources he draws on; and his expression of spatial signifiers of the Black experiences portrayed in his narrative. This reflection shows how Malibongwe’s narrative is not only reproduced in the spatial model, it is remade: the transformation of resources into three-dimensional spatial form results in new understandings and the production of new meanings.
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