音乐表演中的实践时间意识

Mark Doffman
{"title":"音乐表演中的实践时间意识","authors":"Mark Doffman","doi":"10.1093/OSO/9780198804352.003.0010","DOIUrl":null,"url":null,"abstract":"This chapter examines the idea of time consciousness in performance as constitutive of musical practice, and as itself being a form of practice. It introduces practical time consciousness, directed towards two forms of temporal engagement—timekeeping and timeliness, which correspond to the Greek understanding of chronos and kairos—that together underpin the collective coherence and the singular expressive qualities in music. With reference to practice theory, the chapter also explores the pre-reflective awareness of time in music and musicians’ focused attention to time, and how these might change in the moment of performance and in the development of players over time. Drawing on interviews, excerpts from recordings, and a semi-controlled study, this account examines these awarenesses as practices in themselves, occurring at distinct timescales and within different socio-cultural milieux. The chapter concludes with the idea that a practical time consciousness suggests a timeworld, an overarching horizon within which musical time is experienced and practised.","PeriodicalId":179407,"journal":{"name":"Music and Consciousness 2","volume":"109 ","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Practical time consciousness in musical performance\",\"authors\":\"Mark Doffman\",\"doi\":\"10.1093/OSO/9780198804352.003.0010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines the idea of time consciousness in performance as constitutive of musical practice, and as itself being a form of practice. It introduces practical time consciousness, directed towards two forms of temporal engagement—timekeeping and timeliness, which correspond to the Greek understanding of chronos and kairos—that together underpin the collective coherence and the singular expressive qualities in music. With reference to practice theory, the chapter also explores the pre-reflective awareness of time in music and musicians’ focused attention to time, and how these might change in the moment of performance and in the development of players over time. Drawing on interviews, excerpts from recordings, and a semi-controlled study, this account examines these awarenesses as practices in themselves, occurring at distinct timescales and within different socio-cultural milieux. The chapter concludes with the idea that a practical time consciousness suggests a timeworld, an overarching horizon within which musical time is experienced and practised.\",\"PeriodicalId\":179407,\"journal\":{\"name\":\"Music and Consciousness 2\",\"volume\":\"109 \",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Music and Consciousness 2\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780198804352.003.0010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music and Consciousness 2","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780198804352.003.0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

这一章考察了演奏中的时间意识作为音乐实践的组成部分,并且本身也是一种实践形式。它引入了实际的时间意识,指向两种形式的时间参与——计时和时效性,这与希腊人对chronos和kairos的理解相对应——它们共同支撑着音乐的集体连贯性和独特的表现力。参考实践理论,本章还探讨了音乐中对时间的前反思意识和音乐家对时间的关注,以及这些在表演时刻和玩家随着时间的发展中可能发生的变化。通过访谈、录音摘录和半对照研究,本书将这些意识作为实践本身进行了考察,这些意识发生在不同的时间尺度和不同的社会文化环境中。这一章的结论是,一个实际的时间意识暗示了一个时间世界,在这个世界里,音乐时间被体验和实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Practical time consciousness in musical performance
This chapter examines the idea of time consciousness in performance as constitutive of musical practice, and as itself being a form of practice. It introduces practical time consciousness, directed towards two forms of temporal engagement—timekeeping and timeliness, which correspond to the Greek understanding of chronos and kairos—that together underpin the collective coherence and the singular expressive qualities in music. With reference to practice theory, the chapter also explores the pre-reflective awareness of time in music and musicians’ focused attention to time, and how these might change in the moment of performance and in the development of players over time. Drawing on interviews, excerpts from recordings, and a semi-controlled study, this account examines these awarenesses as practices in themselves, occurring at distinct timescales and within different socio-cultural milieux. The chapter concludes with the idea that a practical time consciousness suggests a timeworld, an overarching horizon within which musical time is experienced and practised.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信