后记:迁移

J. Davies
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引用次数: 0

摘要

《后记》以阅读卡罗琳·伯格瓦尔(Caroline Bergvall)的文本和表演《漂移》(Drift, 2013)为框架,探讨了跨越时空的移民思想。《后记》利用托马斯·奈尔最近关于移民形象的作品和保罗·卒姆托关于“移动”的著名作品,在莎拉·艾哈迈德关于取向的作品之后,问如果我们庆祝中世纪思想的多样性,多样性和不及时性,而不是试图限制或定义它,会出现什么样的文化可能性。它表明,中世纪的文化记忆行为往往依赖于中世纪是单一的、封闭的和稳定的,但仍然表现出其多样性、开放性和不确定性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Afterword: Migrations
The Afterword is framed by a reading of Caroline Bergvall’s text and performance Drift (2013) and explores ideas of migration across time and space. Using Thomas Nail’s recent work on the figure of the migrant and Paul Zumthor’s celebrated work on ‘mouvance’ the Afterword asks, following Sara Ahmed’s work on orientation, what cultural possibilities emerge if we celebrate the diversity, multiplicity and untimeliness of ideas of the Middle Ages, rather than attempt to limit or define it. It suggest that medievalist acts of cultural memory often rely on an idea of the Middles Ages as singular, closed-off and stable, but nevertheless demonstrate its multiplicity, openness and indeterminacy.
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