{"title":"工业设计领域的美学曲线","authors":"Toshinobu Harada, F. Yoshimoto, M. Moriyama","doi":"10.1109/VL.1999.795873","DOIUrl":null,"url":null,"abstract":"We present a quantitative analysis method of the characteristics of a curve, for finding what an aesthetic curve is. A number of designer drawn curves were analyzed by this method. As a result, we found that the designer controlled the curvature change with a self-affine property, when he produced a curve in design work. In other words, the designer sees a curve with a self-affine property as an aesthetic curve. On the basis of this fact, we developed five types of curves which have the self-affine property. Furthermore, we made 'drawing curves' from these curves as 'visual language'. These 'drawing-curves' can be used as a 'common language' between the designer, the modeler, and the operator of CAD systems for communicating the 'design intent'.","PeriodicalId":113128,"journal":{"name":"Proceedings 1999 IEEE Symposium on Visual Languages","volume":"60 5","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1999-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"65","resultStr":"{\"title\":\"An aesthetic curve in the field of Industrial design\",\"authors\":\"Toshinobu Harada, F. Yoshimoto, M. Moriyama\",\"doi\":\"10.1109/VL.1999.795873\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"We present a quantitative analysis method of the characteristics of a curve, for finding what an aesthetic curve is. A number of designer drawn curves were analyzed by this method. As a result, we found that the designer controlled the curvature change with a self-affine property, when he produced a curve in design work. In other words, the designer sees a curve with a self-affine property as an aesthetic curve. On the basis of this fact, we developed five types of curves which have the self-affine property. Furthermore, we made 'drawing curves' from these curves as 'visual language'. These 'drawing-curves' can be used as a 'common language' between the designer, the modeler, and the operator of CAD systems for communicating the 'design intent'.\",\"PeriodicalId\":113128,\"journal\":{\"name\":\"Proceedings 1999 IEEE Symposium on Visual Languages\",\"volume\":\"60 5\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1999-09-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"65\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings 1999 IEEE Symposium on Visual Languages\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/VL.1999.795873\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings 1999 IEEE Symposium on Visual Languages","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/VL.1999.795873","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
An aesthetic curve in the field of Industrial design
We present a quantitative analysis method of the characteristics of a curve, for finding what an aesthetic curve is. A number of designer drawn curves were analyzed by this method. As a result, we found that the designer controlled the curvature change with a self-affine property, when he produced a curve in design work. In other words, the designer sees a curve with a self-affine property as an aesthetic curve. On the basis of this fact, we developed five types of curves which have the self-affine property. Furthermore, we made 'drawing curves' from these curves as 'visual language'. These 'drawing-curves' can be used as a 'common language' between the designer, the modeler, and the operator of CAD systems for communicating the 'design intent'.