{"title":"没有传统的传统","authors":"Kevin Haworth","doi":"10.2307/j.ctvgs098p.7","DOIUrl":null,"url":null,"abstract":"This chapter explores the origins of Israeli comics, with a particular focus on three early women comics creators: Leah Goldberg, Friedel Stern, and Elisheva Nadal. It then explores the work of three influential artists from the 1970s-1980s: Dudu Geva, Uri Fink, and Michel Kichka. It then describes Modan's entry into comics, including her army service, her training at Bezalel Academy of Art and Design, her first newspaper comics, and her short-lived editorship of Israeli Mad magazine.","PeriodicalId":145447,"journal":{"name":"The Comics of Rutu Modan","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Tradition of no Tradition\",\"authors\":\"Kevin Haworth\",\"doi\":\"10.2307/j.ctvgs098p.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores the origins of Israeli comics, with a particular focus on three early women comics creators: Leah Goldberg, Friedel Stern, and Elisheva Nadal. It then explores the work of three influential artists from the 1970s-1980s: Dudu Geva, Uri Fink, and Michel Kichka. It then describes Modan's entry into comics, including her army service, her training at Bezalel Academy of Art and Design, her first newspaper comics, and her short-lived editorship of Israeli Mad magazine.\",\"PeriodicalId\":145447,\"journal\":{\"name\":\"The Comics of Rutu Modan\",\"volume\":\"25 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Comics of Rutu Modan\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvgs098p.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Comics of Rutu Modan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvgs098p.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter explores the origins of Israeli comics, with a particular focus on three early women comics creators: Leah Goldberg, Friedel Stern, and Elisheva Nadal. It then explores the work of three influential artists from the 1970s-1980s: Dudu Geva, Uri Fink, and Michel Kichka. It then describes Modan's entry into comics, including her army service, her training at Bezalel Academy of Art and Design, her first newspaper comics, and her short-lived editorship of Israeli Mad magazine.
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