红湖角砾岩

S. Johnstone
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引用次数: 0

摘要

通过这项工作,我将角砾岩的地质过程作为一种隐喻,对一个改变了我职业生涯轨迹的事件进行了艺术综合的批判性分析,并开始了我与地球科学知识和专业实践之间关系的转变。我整合了我在安大略省红湖(Red Lake)担任勘探地质学家时的个人故事,以及对我目前作为中学后地球科学教育者的角色的反思,以明确地将自己置于这次调查中。我使用混合媒介丙烯绘画来分析有时不和谐的范式中的信息和经验。虽然在教育研究中很常见,但在专上技术科学培训的研究中,艺术整合的实践仍然非常罕见。这项工作提供了一个以不同方式思考的机会。这是使地球科学教育中一些隐藏的教训和遗漏变得可见和具有挑战性的第一步,这些教训和遗漏使地球科学家免受其知识生产的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Red Lake Breccia
Through this work I engaged the geological process of brecciation as a metaphor in an arts-integrated critical analysis of an event that changed the trajectory of my career and initiated the transformation of my relationship with geoscientific knowledge and professional practice. I integrated personal stories from my time as an exploration geologist in Red Lake, ON, and reflections on my current role as a post-secondary geoscience educator, to specifically situate myself within this inquiry. I used mixed-media acrylic painting to analyze information and experiences across sometimes dissonant paradigms. Though common in educational research, arts-integrated practices are still extremely rare for research focused on post-secondary technoscientific training. This work provides an opportunity to think differently. It is a first step toward making visible, and challenging, some of the hidden lessons and omissions in geoscience education that have insulated geoscientists from the effects of their knowledge production.
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