巴赫金在1910-1920年代:道路的统一性

N. Nikolaev
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引用次数: 1

摘要

1924年10月,彭皮扬斯基(L.V. pumpyanski)关于马克思主义理论不一致性的报告的讨论,同时发现了将社会学方法应用于美学的可能性,正如巴赫金(M.M. Bakhtin)的评论所表明的那样。巴赫金在其社会学时期的著作中继续分析了他在1924年早期论文中提出的美学问题,例如,艺术文本中“作者”、“英雄”和“听众”的互动问题。这些源自1924年随笔的特定主题复合体构成了巴赫金20世纪作品的统一性,这些作品以巴赫金和他的朋友的名义出版。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
M.M. BAKHTIN IN 1910-1920 S: THE UNITY OF THE PATH
The discussion of L.V. Pumpyanskii’s report on the theoretical inconsistency of Marxism in October 1924 detected at the same time the possibility of applying the sociological method in aesthetics, as M.M. Bakhtin’s remark shows. In his writings of the sociological period M.M. Bakhtin continued the analysis of the aesthetical problems posed in his early essay of the 1924, for example, the problem of interaction of the “author”, “hero” and “listener” in the artistic text. The specific thematic complexes originating from the essay of the 1924 form the unity of M.M. Bakhtin’s works of the 1920th, published both under his name and the names of his friends.
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