重写一个女人的传记:马尔科·沃夫乔克作为文学作品中的一个人物

S. Zhygun
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引用次数: 0

摘要

在后现代主义的影响下,对传记作品的态度发生了重大变化:拒绝将作者视为唯一权威的意义来源,导致传记小说被视为小说传记,在意识形态的背景下创造了传记作者自己的传记。本研究的目的是找出性别和意识形态是如何形成乌克兰女作家作为传记小说人物的呈现策略的。拟议的文章将涉及4个不同时期的作品:多蒙托维奇的《沉默的神》(1930),Y. Tys的《黎明时分》(1961),O. Ivanenko的《玛丽亚》(1983),I. Rozdobudko的《像一块磁铁》(2013)。所有这些作品的核心都是乌克兰第一位作家马可·沃夫乔克(玛丽亚·维林斯卡饰)的生活,但这些作品中表现的是截然不同的女性。所考虑的传记作品更多地关注作家的生活事件,而不是她想在作品中表达什么。对Marco Vovchok的故事的解读主要是其政治(社会)意义,并将其作为讨论女性生活的基础(除了Rozdobudko的故事)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Re-Writing a Woman’s Biography: Marco Vovchok as a Character of Literary Work
The attitude to biographical works has changed significantly under the influence of postmodernism: the refusal to perceive the author as a single authoritative source of meaning has led to the perception of biographical fiction as a fiction biography, creating in the context of the ideology a biography of the biographer himself. The aim of the proposed study is to find out how gender and ideology form the strategies for presenting the Ukrainian woman writer as a character of a biographical novel. The proposed article will deal with 4 works of different periods: “The Silent Deity” by V.Domontovych (1930), “At Dawn” by Y. Tys (1961), “Maria” by O. Ivanenko (1983), “Like a Magnet” by I. Rozdobudko (2013). At the heart of all of them is the life of the first Ukrainian writer Marco Vovchok (Maria Vilinska), but quite different women are represented in these works. The biographical works under consideration demonstrate more attention to the events of the writer’s life than to what she wanted to say in her work. The interpretation of Marco Vovchok’s stories is dominated by their political (social) significance and they are presented as a basis for talking about the life of the woman (with the exception of Rozdobudko’s story).
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