maisa Bey:女性在改写历史和创造自我之间的代理小说家

L. Lamrous
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引用次数: 0

摘要

通过对Maïssa贝伊的小说《归来之旅》的研究,我们可以审视这部法语小说是如何将地震表现为一种诗意的、隐喻的和政治的冲击波。这部小说是文学传统的一部分,但也显示了写作的独特性和阿尔及利亚小说家Maïssa Bey的参与。它让我们得以审视阿尔及利亚难民营背景下的女性能力性:从被蹂躏的空间/国家中浮现出女性的声音,她们开始反抗,即兴创作,创造自己的生活和身份。地震让她们解放了自己,对社会和她们作为女性在压迫性的父权社会中的地位采取了颠覆性的观点。舞台上的女性角色赋予自己重读历史、夺回命运的权利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Maïssa Bey : romancière de l’agentivité de femmes Entre réécriture de l’Histoire et invention de soi
The study of Maïssa Bey’s novel Surtout ne te retourne pas allows to examine how the Francophone novel represents an earthquake as a poetic, metaphorical and political shockwave. The novel is part of a literary tradition but also shows the singularity of the writing and the engagement of the Algerian novelist Maïssa Bey. It allows to examine the feminine agentivity in the context of the disaster camps in Algeria: from the ravaged space/country emerge the voices of women who enter into resistance to improvise, invent their lives and their identities. The earthquake allows them to free themselves, to take a subversive point of view at society and their status as women in an oppressive patriarchal society. The staged female characters arrogate to themselves the right to reread history and take their destiny back.
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