{"title":"从女神到天后:特立尼达酸辣酱社会中崛起的印度-加勒比女性","authors":"Darrell Gerohn Baksh","doi":"10.14325/mississippi/9781496825445.003.0008","DOIUrl":null,"url":null,"abstract":"This chapter explores the conflicts and complexities of Indo-Caribbean femininity at a moment when the Indo-Caribbean woman is breaking away from embodiments of devi, traditional models of female representation strongly tied to religious patriarchy, to diva, a contemporary persona publicly expressed in the realm of chutney soca, a popular form of Indo-Caribbean music that has absorbed the Carnival aesthetic in Trinidad.","PeriodicalId":431686,"journal":{"name":"Carnival Is Woman","volume":"63 ","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Devi to Diva: Indo-Caribbean Women Rising in Trinidad’s Chutney Soca\",\"authors\":\"Darrell Gerohn Baksh\",\"doi\":\"10.14325/mississippi/9781496825445.003.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores the conflicts and complexities of Indo-Caribbean femininity at a moment when the Indo-Caribbean woman is breaking away from embodiments of devi, traditional models of female representation strongly tied to religious patriarchy, to diva, a contemporary persona publicly expressed in the realm of chutney soca, a popular form of Indo-Caribbean music that has absorbed the Carnival aesthetic in Trinidad.\",\"PeriodicalId\":431686,\"journal\":{\"name\":\"Carnival Is Woman\",\"volume\":\"63 \",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Carnival Is Woman\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14325/mississippi/9781496825445.003.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Carnival Is Woman","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14325/mississippi/9781496825445.003.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
From Devi to Diva: Indo-Caribbean Women Rising in Trinidad’s Chutney Soca
This chapter explores the conflicts and complexities of Indo-Caribbean femininity at a moment when the Indo-Caribbean woman is breaking away from embodiments of devi, traditional models of female representation strongly tied to religious patriarchy, to diva, a contemporary persona publicly expressed in the realm of chutney soca, a popular form of Indo-Caribbean music that has absorbed the Carnival aesthetic in Trinidad.