罗伯特·泽米基斯电影《阿甘正传》社会批评的符号学分析

Vidi Rutsyamsun, R. Myrna, Nur Sakinah, Forrest Gump, Ferdinand de Sausurre
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引用次数: 0

摘要

本文运用索绪尔的符号学理论,对罗伯特·泽米基斯的电影《阿甘正传》(1994)中的社会批评进行符号学分析。根据索绪尔的理论,符号由两个相互关联的元素组成:能指和所指。因此,本研究的目的在于突出《阿甘正传》故事中所呈现的社会批评迹象,突出文学作品通过社会批评来反映真实社会的重要性。之所以选择《阿甘正传》作为研究对象,是因为研究人员对探索电影中所代表的社会批评信息很感兴趣。在此背景下,研究人员认为,《阿甘正传》这部电影通过电影剧本提供了有意义的信息,它讲述了一个有智力问题的人(阿甘)在社会领域成为嘲笑的对象和他的生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Semiotic Analysis of Social Criticism in Robert Zemeckis’s Forrest Gump Movie (1994)
This article examines the semiotic analysis of social criticism in Robert Zemeckis’s Forrest Gump Movie (1994) using Ferdinand De Saussure's semiotic theory. According to Saussure's theory, the sign consists of two interconnected elements: the signifier and the signified. Thus, the purpose of this study is to highlight the social criticism signs present in the Forrest Gump story and to highlight how crucial it is for literary works to reflect a real society through social criticism. The Forrest Gump film was chosen as the object of research because researchers are interested in exploring social criticism messages that are represented in the movie. In this context, the researchers believed that Forrest Gump movie which tell story about a man (Forrest) who has intelligence problems and becomes the object of ridicule in the social sphere and his life provided meaningful messages through the screenplay of the movie.  
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