诗歌:音乐、耐心和形式

Sarah Antine, Terry Hauptman
{"title":"诗歌:音乐、耐心和形式","authors":"Sarah Antine, Terry Hauptman","doi":"10.2979/BRIDGES.16.1.77","DOIUrl":null,"url":null,"abstract":"Sarah: I started teaching creative writing based on Tanach [Hebrew scriptures: Torah, Prophets, Writings] to high school kids in an after school program, but it took years before I incorporated the process I taught them into my writing. At first, I thought poetry was coming from a different spiritual energy and Judaism would dry it up, especially the brand of Judaism I began to find myself more and more involved in. And yes, being in an Orthodox Jewish environment, before I was grounded in who I was, did stop the poetry. I tried to write but garble came out, words that couldn’t describe what I was feeling or communicate it to anyone. However, I still had the yearning to persevere in the writing. I entered an MFA program and eventually was able to write poems that connected my Judaism profoundly to my feelings. Bridges published a few of these poems, inclusing “The Ritual Bath.” As I wrote that poem, I discovered spiritual meaning out of difficult emotions I felt during the process of immersing in the mikvah.","PeriodicalId":108822,"journal":{"name":"Bridges: A Jewish Feminist Journal","volume":"657 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2011-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Poetry: Music, Patience and Form\",\"authors\":\"Sarah Antine, Terry Hauptman\",\"doi\":\"10.2979/BRIDGES.16.1.77\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Sarah: I started teaching creative writing based on Tanach [Hebrew scriptures: Torah, Prophets, Writings] to high school kids in an after school program, but it took years before I incorporated the process I taught them into my writing. At first, I thought poetry was coming from a different spiritual energy and Judaism would dry it up, especially the brand of Judaism I began to find myself more and more involved in. And yes, being in an Orthodox Jewish environment, before I was grounded in who I was, did stop the poetry. I tried to write but garble came out, words that couldn’t describe what I was feeling or communicate it to anyone. However, I still had the yearning to persevere in the writing. I entered an MFA program and eventually was able to write poems that connected my Judaism profoundly to my feelings. Bridges published a few of these poems, inclusing “The Ritual Bath.” As I wrote that poem, I discovered spiritual meaning out of difficult emotions I felt during the process of immersing in the mikvah.\",\"PeriodicalId\":108822,\"journal\":{\"name\":\"Bridges: A Jewish Feminist Journal\",\"volume\":\"657 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bridges: A Jewish Feminist Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/BRIDGES.16.1.77\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bridges: A Jewish Feminist Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/BRIDGES.16.1.77","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

萨拉:我开始在课外活动中教高中生基于塔纳赫(希伯来圣经:摩西五经、先知书和著作)的创意写作,不过我花了好几年的时间才把我教他们的过程融入到我的写作中。起初,我认为诗歌来自一种不同的精神能量,犹太教会使它干涸,尤其是我开始发现自己越来越多地参与犹太教的品牌。是的,在正统的犹太环境中,在我还没有认清自己之前,我确实停止了诗歌创作。我试着去写,但却写不出来,这些文字无法描述我的感受,也无法与任何人交流。但是,我仍然有坚持写作的渴望。我进入了MFA课程,并最终能够写诗,将我的犹太教与我的感情深刻地联系起来。布里奇斯发表了其中几首诗,包括《仪式浴》。当我写这首诗的时候,我从沉浸在成年礼的过程中所感受到的困难情绪中发现了精神意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Poetry: Music, Patience and Form
Sarah: I started teaching creative writing based on Tanach [Hebrew scriptures: Torah, Prophets, Writings] to high school kids in an after school program, but it took years before I incorporated the process I taught them into my writing. At first, I thought poetry was coming from a different spiritual energy and Judaism would dry it up, especially the brand of Judaism I began to find myself more and more involved in. And yes, being in an Orthodox Jewish environment, before I was grounded in who I was, did stop the poetry. I tried to write but garble came out, words that couldn’t describe what I was feeling or communicate it to anyone. However, I still had the yearning to persevere in the writing. I entered an MFA program and eventually was able to write poems that connected my Judaism profoundly to my feelings. Bridges published a few of these poems, inclusing “The Ritual Bath.” As I wrote that poem, I discovered spiritual meaning out of difficult emotions I felt during the process of immersing in the mikvah.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信