在身体、舞蹈和教育之间:一种儿童体验

Mayra Giovaneti De barros, C. D. Leite
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摘要

这篇论文是在观察和参与与孩子们一起跳舞的过程中产生的灵感。我们对后者的经验导致了图像的产生,引发了各种各样的问题,并邀请我们思考身体,舞蹈和各种形式的教育之间的关系。这些问题包括:通过观察儿童的舞蹈,我们可以得到关于人类化身体验的哪些线索?通过与孩子们一起参与这种表演媒介,他们能教给我们什么?它对教育的影响是什么,尤其是根据我们对孩子们在这方面的创造力的观察?我们的印象在德勒兹、瓜塔里、福柯、马斯彻兰和巴罗斯的作品中得到了共鸣和表达。我们把自己置于他们的影响之下,调动我们的思维,向他们思想的突现特征敞开心扉,从而产生了一种可以被称为“舞蹈-写作”的形式,在这种形式中,这两种表达形式相互作用。这种舞蹈式的写作以孩子们的生活经验为基础,并充满了这些经验:一步一步地,我们走在他们开辟的道路上,尽我们所能记录他们对世界的多感官方式——凝视、味觉、嗅觉、声音、触觉和动作。我们的经验是研究运动,运动中有运动,运动中有运动。因此,我们无意给出最终答案,而是邀请读者进行哲学和幼稚的思考。我们的邀请是与舞蹈所激发的问题共舞。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
entre corpos, danças e educações: uma experiência infantil
This paper is the result of reflections inspired by observing and participating in dancing sessions with children. Our experience of the latter led to the production of images that provoked a variety of questions, and invited us to think about the relationships between bodies, dance, and various forms of education. Among these questions were: what clues about the experience of human embodiment are given through observing children’s dance? What can children teach us through participating with them in this performative medium, and what are its implications for education, most especially in light of our observations of children's inventiveness in this regard? Our impressions resonate and find expression in the oeuvre of Gilles Deleuze, Félix Guattari, Michel Foucault, Jan Masschelein and Manoel de Barros. Placing ourselves under their influence, we mobilized our thinking and opened ourselves to the emergent character of  their ideas, resulting in what might be called a form of “dancing-writing”  in which those two forms of expression interact. This dancing-writing is informed by and imbued with children’s lived experience: step by step, we walked the paths that they opened, recording as best we could their multisensorial approach to the world—gaze, taste, smell, sound, touch, movement. Ours was an experience of research on movement, with movement, in movement. As such, we harbor no intention to present final answers, but rather offer the reader an invitation to think philosophically and childishly. Ours is an invitation to dance with and among the questions which that very dance inspired.
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