音乐剧《游子愁》的音乐创作及其意义研究

Namseok Kim
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引用次数: 0

摘要

光复时期,音乐戏剧在韩国民间戏剧世界中蓬勃发展。其中,以现有歌曲为基础,以流行歌曲为主旋律进行叙事,引起观众兴趣和好奇的案例尤其值得关注。《流浪者的悲哀》是一个典型的例子,但迄今为止还没有对其进行有意义的研究。这可能主要是因为这些文字直到现在才被挖掘出来。但是,随着剧本的发现,研究20世纪40年代演出的现状和特点的途径开始了。同时也为探讨其与同名流行歌曲的相关性,以及对其制作团队和创作主体进行有意义的历史研究开辟了一条道路。本研究以出土的《流浪者的悲伤》剧本为基础,探讨《流浪者》的诞生与演变、创作主体与变化原因、音乐构成与叙事特点、演出效果等问题。通过对该作品的学术讨论,不仅可以审视其本身,还可以对研究光复时期蓬勃发展的音乐剧的整体特征有所帮助。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on Musical Composition and Significance of the Musical Play The Sorrow of Wanderer
Music plays flourished in the world of the Korean popular play during the Korean Liberation Period. Among them, the cases that drew the interest and curiosity of the audience by composing a narrative based on existing songs and using popular songs as the main theme are particularly noteworthy. The Sorrow of Wanderer is a representative example, but it has not been made meaningful approach so far. It may be mainly because the script has not been excavated until now. Since the script was recently discovered, however, a way to study the status of performances in the 1940s and their characteristics has been opened. Moreover, a path has been opened to discuss the relevance to the popular song of the same name and to conduct meaningful historical research on the production team and creative subject. This study, based on the excavated script of The Sorrow of Wanderer , aims to discuss its birth and transformation, creative subject and reason for change, musical composition and narrative characteristics, and performance effects. It is expected that the academic discussion on this work will not only examine itself, but will be also a help in the study of the overall characteristics of the musical plays that flourished during the Korean Liberation Period.
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