资本主义对自然和巴利姆山谷妇女的拟人化

Rahmat Prayogi
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引用次数: 1

摘要

本研究旨在探讨小说《塔那禁忌》中资本主义对自然和女性的人类中心主义。自由港是资本主义人类中心主义的演员,而巴利姆山谷和塔纳塔布的女性角色是被剥削对象的代表。本文运用Vandana Shiva的生态女性主义理论进行分析。因此,其含义是研究自由港的资本主义人类中心主义行为,这些行为是根据西方殖民主义(美国)通过发展采矿业来到巴布亚的目标来审查的。本研究的结果是:首先,自由港的资本主义人类中心主义的特征从他们发展文明与现代科学,现代主义走向保守主义和殖民主义的动机可知。其次,生态女性主义将塔纳禁忌女性的性格置于角色二元论中;作为反对资本主义人类中心主义的受害者和斗士。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Karakter Antroposentrisme Kapitalis terhadap Alam dan Perempuan Lembah Baliem
This research was conducted to investigate capitalistic anthropocentrism towards nature and women in the novel Tanah Tabu. Freeport is an actor of capitalistic anthropocentrism while the Baliem Valley and the character of women in Tanah Tabu are representatives of the exploited objects. The analysis was carried out using the ecofeminism theory by Vandana Shiva. Therefore, the implication was to study the capitalistic anthropocentrism actions of Freeport which were examined based on the objectives of western colonialism (the United States) that came to Papua by developing the mining industry. The results of this study are first, the character of capitalistic anthropocentrism by Freeport is known from their motives in developing civilization with modern science, modernism towards conservatism, and colonialism. Second, ecofeminism places the character of Tanah Tabu women in role dualism; as victims and fighters against capitalistic anthropocentrism.
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