超越詹姆逊:隐喻的元政治学

Erin Graff Zivin
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引用次数: 1

摘要

摘要:寓言的政治含义是什么?几十年来,拉丁美洲文学研究一直被弗雷德里克·詹姆逊(Fredric Jameson)的著名论断所困扰,“所有第三世界的文本都是[…]国家的寓言”,最近,拉丁美洲文学中出现了一种批判的反传统,拒绝詹姆逊的论点,而不追求对寓言的其他解读。在拉丁美洲研究中的寓言阅读消亡之后,如果我们回到保罗·德曼作品中的寓言问题,他认为寓言总是将阅读的不可能性寓言化,会发生什么?本文追溯了拉丁美洲研究中寓言再现和寓言阅读的政治或元政治,最后分析了cassaar Aira的《文学大会》(El congress de literatura),作为一个以主权决策主义为基础的政治不可能的寓言化例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond Jameson: The Metapolitics of Allegory
Abstract: What are the politics of allegory? For several decades, Latin American literary studies have been haunted by Fredric Jameson’s (in)famous claim that “all third world texts are […] national allegories,” accompanied, more recently, by a critical counter-tradition in Latin Americanism that rejected Jameson’s argument without pursuing alternative readings of allegory. What would happen if, after the death of allegorical reading in Latin American studies, we were to return to the question of allegory in the work of Paul de Man, who argued that allegory always allegorizes the impossibility of reading? This essay traces the politics, or metapolitics, of allegorical representation, and of allegorical readings, in Latin American studies and concludes with an analysis of César Aira’s El congreso de literatura as an example of the allegorization of the impossibility of a politics grounded in sovereign decisionism.
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