S. Salamanca
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引用次数: 0

摘要

本文通过对哥伦比亚艺术家的八幅自画像的研究,提出了新的审美范畴,解决了当代身份的问题。自画像作为一种象征性的推测,反映了我们自己不断变化和不确定的形象。自我、他者、多重自我和(我的)他者的观念混杂在一起,却没有改变个体化的概念,更像是眨眼间消失和变化的海市蜃楼,看到它的人不断地质疑它。我们现在发现自己面对着多样性、差异性、阴影、身体、基因、界面和我们的身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Autorretratos
The thesis addresses the issue of contemporary identity from the study of eight self-portraits of Colombian artists proposing new aesthetic categories. As a form of symbolic speculation, self-portraits today reflect the ever changing and uncertain images of ourselves. Ideas of the self, of the other, of the multiple selves and [my] others, that intermingle without changing the concept of individuality, rather like a mirage that fades and changes with the blink of an eye, it is consistently questioned by those who see it. We now find ourselves confronting multiplicity, otherness, shadows, the body, genetics, the interface and our identity.
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