{"title":"《感谢黛博拉·伯德·罗斯》中的忘恩负义","authors":"J. Hamilton","doi":"10.60162/swamphen.7.14363","DOIUrl":null,"url":null,"abstract":"This is a story of how Debbie Rose grounded my research in unlikely ways and how I repaid her by writing something critically provocative about the field she helped found: the environmental humanities. I don’t feel bad about this, which is odd given my learned tendency towards feelings of guilt. But as a strange kind of free verse elegy I want to explore the ambivalent state I find myself in here: on one hand grieving a lost mentor and friend, and on the other feeling committed to my critical position.","PeriodicalId":197436,"journal":{"name":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ingratitude in Gratitude to Deborah Bird Rose\",\"authors\":\"J. Hamilton\",\"doi\":\"10.60162/swamphen.7.14363\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This is a story of how Debbie Rose grounded my research in unlikely ways and how I repaid her by writing something critically provocative about the field she helped found: the environmental humanities. I don’t feel bad about this, which is odd given my learned tendency towards feelings of guilt. But as a strange kind of free verse elegy I want to explore the ambivalent state I find myself in here: on one hand grieving a lost mentor and friend, and on the other feeling committed to my critical position.\",\"PeriodicalId\":197436,\"journal\":{\"name\":\"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-04-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.60162/swamphen.7.14363\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.60162/swamphen.7.14363","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This is a story of how Debbie Rose grounded my research in unlikely ways and how I repaid her by writing something critically provocative about the field she helped found: the environmental humanities. I don’t feel bad about this, which is odd given my learned tendency towards feelings of guilt. But as a strange kind of free verse elegy I want to explore the ambivalent state I find myself in here: on one hand grieving a lost mentor and friend, and on the other feeling committed to my critical position.