“佳能”的形成(第一部分)

S. Nijhawan
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引用次数: 0

摘要

Gaṅgā的老板普斯塔克Mālā依靠的是一个令人印象深刻的网络,其中包括与出版社和期刊有关的学者、作家、记者和教育家。他们对sudhna的贡献将在第三章中介绍,目的是展示在sudhna的编辑和印地语公众的眼中,什么构成了对中产阶级读者有用的知识。诗歌、小说和散文是当时的三种主要出版体裁,它们在写作过程中经历了变革。对这些体裁的讨论发生在sudhawa出版社和印度文学界的发展背景下,在二十世纪早期,印度文学界见证了许多文学运动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Canon’ Formation (Part I)
The proprietor of Gaṅgā Pustak Mālā relied on an impressive network of scholar-writers, journalists, and educationalists who were involved with the publishing house and the periodical. Their contributions to Sudhā are introduced in Chapter 3 with the intention to demonstrate what in the eyes of the editors of Sudhā and the Hindi public constituted useful knowledge for the middle-class reader. Poetry, fiction, and prose essays were three major publication genres of the time, which underwent transformations while being written in. The discussion of these genres takes place in the context of the developments within the pages of Sudhā, the publishing house, and the Hindi literary sphere that witnessed a number of literary movements in the early twentieth century.
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