{"title":"欧内斯特·海明威的短篇小说《雨中的猫》(1925):叙事和情感的原型","authors":"K. Kosecki","doi":"10.18778/8142-988-7.09","DOIUrl":null,"url":null,"abstract":"Ernest Hemingway’s (1899–1961) short story “Cat in the rain” (1925/1953) describes the weakening of emotional bond between an American couple living in Italy and the gradual emergence of romantic affection between the wife and the keeper of the hotel in which they are staying. Adopting the perspectives of Cognitive Poetics (Gavins & Steen, 2003; Lakoff & Turner, 1989; Stockwell, 2002; Turner, 1991, 1996) and narratology (Hogan, 2003, 2011), the analysis makes two claims: 1. Hemingway’s narrative reflects a prototypical pattern of the literary plot of its genre. 2. Metaphors and metonymies functioning in the structure of the narrative represent various aspects of a prototypical scenario of romantic love. Both elements make the short story convincing in spite of its condensed form.","PeriodicalId":104055,"journal":{"name":"Categories and Units in Language and Linguistics","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ernest Hemingway’s short story Cat in the rain (1925): A prototype of narrative and emotion\",\"authors\":\"K. Kosecki\",\"doi\":\"10.18778/8142-988-7.09\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Ernest Hemingway’s (1899–1961) short story “Cat in the rain” (1925/1953) describes the weakening of emotional bond between an American couple living in Italy and the gradual emergence of romantic affection between the wife and the keeper of the hotel in which they are staying. Adopting the perspectives of Cognitive Poetics (Gavins & Steen, 2003; Lakoff & Turner, 1989; Stockwell, 2002; Turner, 1991, 1996) and narratology (Hogan, 2003, 2011), the analysis makes two claims: 1. Hemingway’s narrative reflects a prototypical pattern of the literary plot of its genre. 2. Metaphors and metonymies functioning in the structure of the narrative represent various aspects of a prototypical scenario of romantic love. Both elements make the short story convincing in spite of its condensed form.\",\"PeriodicalId\":104055,\"journal\":{\"name\":\"Categories and Units in Language and Linguistics\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Categories and Units in Language and Linguistics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18778/8142-988-7.09\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Categories and Units in Language and Linguistics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18778/8142-988-7.09","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Ernest Hemingway’s short story Cat in the rain (1925): A prototype of narrative and emotion
Ernest Hemingway’s (1899–1961) short story “Cat in the rain” (1925/1953) describes the weakening of emotional bond between an American couple living in Italy and the gradual emergence of romantic affection between the wife and the keeper of the hotel in which they are staying. Adopting the perspectives of Cognitive Poetics (Gavins & Steen, 2003; Lakoff & Turner, 1989; Stockwell, 2002; Turner, 1991, 1996) and narratology (Hogan, 2003, 2011), the analysis makes two claims: 1. Hemingway’s narrative reflects a prototypical pattern of the literary plot of its genre. 2. Metaphors and metonymies functioning in the structure of the narrative represent various aspects of a prototypical scenario of romantic love. Both elements make the short story convincing in spite of its condensed form.