12弦伽倻琴与25弦伽倻琴声音的比较分析

Hai Zhong, Jaerock Park
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引用次数: 0

摘要

韩国的伽倻琴从19世纪末到21世纪,经过了100多年的修改。在将代表正乐和散调(独奏乐器)伽倻琴的12弦传统伽倻琴改编为25弦伽倻琴的过程中,共振器的规格、琴弦的数量、演奏方法等都发生了变化。本研究利用频谱分析工具对采样后的每根弦的音量、衰减时间、音高变化、谐波特性等数据进行测量,通过这些数据对传统伽倻琴和改良伽倻琴的声音进行比较,并定义它们之间的差异。因此,虽然12弦伽倻琴和25弦伽倻琴的音色在很多方面都很相似,但比起12弦伽倻琴,25弦伽倻琴在音色的持续度、音高的稳定性、泛音的丰富性等方面都更出色。另外,据调查,在国乐乐团等新型国乐合奏中一直存在的伽倻琴音量低的问题,在25弦伽倻琴中也没有得到解决。本研究旨在为今后伽倻琴的音色研究及韩国传统乐器的修饰研究提供重要的参考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Comparative Analysis of the Sound of 12-string and 25-string Gayageum
Korean gayageum (plucked zither) has been modified for more than 100 years from the late 19th century to the 21st century. In the process of modifying the 12-string traditional gayageum representing gayageum for jeongak (classical music) and sanjo (solo instrumental music) into the 25-string gayageum, the specifications of the resonator, the number of strings, and the playing method have changed. This study measures the data such as the volume, decay time, pitch change, and harmonic characteristics of each string using spectrum analysis tool after sampling the sound, in order to compare the sound of the traditional and modified gayageum through the data and to define the difference between them. As a result, the sound of the 12-string and the 25-string gayageum are similar in many respects, but the 25-string gayageum compared to 12-string gayageum has superior results in terms of sound sustain, pitch stability, and richness of overtones. On the other hand, it was also found that the low volume of the gayageum, which has long been a problem in new Korean music ensembles such as gugak (Korean traditional music) orchestra, was not solved even in the 25-string gayageum. This study aims to be an important reference for future research on the sound of gayageum and the modification of Korean traditional music instruments.
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