S. Nijhawan
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引用次数: 0

摘要

通过印刷媒介,标准化、本土化、规范化和科学化的过程不仅使印地语成为拟议的国家语言,而且在20世纪初的几十年里,印度民族文化也变得清晰可见。本章通过对sudhha的专题专栏的详细分析,将这一过程置于语境中。特别是文学的民族化过程,通过微观视角来讨论sudhaka,因为它创造了自己的知识档案,它认为是国家的艺术、医学和科学、音乐、新闻,以及以前口头传播的关于家庭生活、家庭疗法、健康、烹饪和育儿的知识。从视觉上看,女性占据了期刊专栏的中心位置。尽管她们在很大程度上被认为是知识的接受者,但她们也被想象成在构建这种所谓的规范知识方面发挥积极作用的女性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Canon’ Formation (Part II)
Through the medium of print, processes of standardization, indigenization, canonization, and scientification not only of Hindi as the proposed national language, but also of Hindu national culture become visible in the early decades of the twentieth century. This chapter contextualizes such processes through a detailed analysis of Sudhā’s thematic columns. Processes of the nationalization of literature in particular are discussed through a micro-perspective on to Sudhā as it created its very own archives of knowledge of what it considered to be the national arts, medicine and science, music, news, and formerly orally transmitted knowledge on domesticity, homespun remedies, health, cooking, and child-rearing. Visually, women featured centrally in the column section of the periodical. Even though they were for the most part featured as recipients of knowledge, they were also imagined as women taking active roles in the construction of this supposedly canonical knowledge.
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