《水体:后人类女性主义现象学》作者:阿斯特丽达·内曼尼斯(2019)

M. Campbell
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引用次数: 0

摘要

阅读阿斯特丽达·内玛尼斯的《水体》,让自己沉浸在一种流动的诗学中,思考着丰富而无限的生命形式,而水,以其无数的化身,为它们提供了联系和分散的媒介;在时空中孕育和分化。通过其女权主义的后人类现象学镜头,这部作品雄辩而慷慨地重塑了互文网络,重新反映了女权主义、哲学、诗歌和科学的复调,以应对生态破坏的采掘主义和消费主义实践之后我们星球的紧急情况。Neimanis的项目旨在“开创”新的“本体论……不仅要纠正以阴茎为中心的对身体的理解,而且还要发展想象,使我们能够以不同的方式联系”(Neimanis 11)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bodies of Water: Posthuman Feminist Phenomenology by Astrida Neimanis (2019)
To read Astrida Neimanis’s Bodies of Water is to immerse oneself in a fluid poetics, contemplating the teeming, virtual infinity of lifeforms for which water, in its myriad incarnations, supplies the medium of connection and dispersal; of gestation and differentiation through space-time. Through its feminist posthuman phenomenological lens, this work recasts the intertextual net eloquently and generously, re-inflecting a polyphony of feminist, philosophical, poetic, and scientific voices to address our planetary emergency in the wake of ecocidal extractionist and consumerist practices. Neimanis’s project seeks to ‘inaugurate’ new ‘ontologies [that…] are not only about correcting a phallologocentric understanding of bodies, but also about developing imaginaries that might allow us to relate differently’ (Neimanis 11). 
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